lines, but even so, it was going to be a trick to decipher the message.
He held it closer to the lamp. Ah, fortunately the man had printed his name under his signature.
Randolph Wilkinson, solicitor.
That sounded familiar....
Oh, blast. Yes, it was familiar. Wilkinson, Wilkinson, and Wilkinson was the firm that oversaw the Spinster House. Getting a letter from Wilkinson could only mean one thing.
There was a Spinster House vacancy.
âIt appears I have a destination.â He let out a long breath and dropped the letter back to his desk. âIâll be leaving in the morning for Loves Bridge.â
Chapter Two
April 5, 1617âThe duke smiled at me as we were leaving church this morning. He has the most attractive dimples.
âfrom Isabelle Dorringâs diary
Â
Â
Miss Isabelle Catherine HuttingâCat to everyone in the little village of Loves Bridgeâwedged herself into one of the childrenâs desks in the vicarageâs schoolroom. Prudence, her ten-year-old sister, was curled up in the only comfortable chair, reading. Sybil, age six, sat by the window with her watercolors, and the four-year-old twins sprawled on the floor, building a fort for their tin soldiers.
A rare moment of peace.
She looked down at the blank sheet of paper before her. Sheâd been trying to begin this book for months. The characters whispered to her when she was helping Sybil with her numbers or looking at ribbon in the village shop or falling asleep in the bed she shared with her eighteen-year-old sister, Mary, but the instant she had a quiet moment and some paper, they went silent.
Well, she would force them to speak. She dipped her pen into the inkwell.
Vicar Walkerâs oldest daughter, Rebecca, smiled at the Duke of Worthing.
No, that wasnât quite right. She scratched out the words and started over.
Miss Rebecca Walker, the vicarâs oldest daughter and the village beauty, smiled at the Duke of Worthing.
Oh, fiddle, that sounded stupid. Who would wish to read a novel that began with a beautiful ninny grinning at an arrogant, persnickety duke? She shouldâ
No, she should not. How many times had Miss Franklin told her she needed to write the story before she started to pick it apart? Sheâ
Sybil screeched, and Catâs hand jerked, spattering ink all over her paper and her bodice. Drat!
âWhat is it, Sybil?â
Not that she needed to ask. She could see what it wasâor rather, who it was. Thomas and Michael had lost interest in their fort and come over to torture their sister. Theyâd managed to spill water all over Sybilâs painting.
âLook what theyâve done,â Sybil wailed, picking up her soaking masterpiece and flourishing it for Catâs inspection just as Cat reached her.
The wet paint joined the ink on her bodice. It was a good thing this wasnât one of her favorite dresses.
She peeled the picture off her front and inspected it. It was impossible to discern its original subject. Something blue and green and white and black judging from the paint smears.
âWe just wanted to see the sheep,â Thomas said, his eyes wide with innocenceâuntil you looked more closely and noted the mischievous gleam. He was only four, but he was going to grow up to be a complete terror, worse even than fifteen-year-old Henry or thirteen-year-old Walter.
How Papa, a vicar, had managed to beget so many wild boys was one of Godâs many mysteries.
âSheep?â Sybil screamed. âThose were clouds, you noddy.â
Thomas put his hands on his hips and rolled his eyes in an especially annoying wayâa trick heâd learned from Pru. âPaint clouds? Thatâs m-mutton-headed.â He grinned, clearly pleased with the new word heâd learned, likely from his brothers.
She should be happy he hadnât learned any worse words . . . or at least hadnât used them yet.
Sybbieâs brows snapped down, and her jaw