She slept past noon. When she woke up, she felt rotten. I gave her aspirin and she went back to bed. I phoned Ted for her. He was in his office. He asked me to tell her heâd come up about seven oâclock that evening.â
Elizabeth felt her voice quaver.
âIâm sorry to have to keep going, but try to think of this as a rehearsal. The more prepared you are, the easier it will be for you when you are actually on the stand.â
âItâs all right.â
âDid you and your sister discuss the previous night?â
âNo. It was obvious she didnât want to talk about it. She was very quiet. She told me to go to my place and get settled. I had literally dropped my bags home and rushed to her play. She asked me to call her around eight and weâd have dinner together. I assumed she meant she and Ted and I would have dinner together. But then she said she wasnât going to take his ring back. She was through with him.â
âMiss Lange, this is very important. Your sister told you she was planning to break her engagement to Ted Winters?â
âYes.â Elizabeth stared down at her hands. She remembered how she had put those hands on Leilaâs shoulders, then run them across Leilaâs forehead. Oh, stop it, Leila. You donât mean that.
But I do, Sparrow.
No, you donât.
Have it your way, Sparrow. But call me around eight, okay?
The last moment of being with Leila, of putting the cold compress on her forehead, of tucking the blankets around her and thinking that in a few hours sheâd be herself again, laughing and amused and ready to tell the story. âSo I fired Syd and threw Tedâs ring, and quit the play. Howâs that for a fast two minutes in Elaineâs?â And then sheâd throw back her headand laugh, and in retrospect it would suddenly become funnyâa star having a public tantrum.
âI let myself believe it, because I wanted to believe it,â Elizabeth heard herself telling William Murphy.
In a rush she began the rest of her testimony. âI phoned at eight. . . . Leila and Ted were arguing. She sounded as if sheâd been drinking again. She asked me to call back in an hour. I did. She was crying. They were still quarreling. She had told Ted to get out. She kept saying she couldnât trust any man; she didnât want any man; she wanted me to go away with her.â
âHow did you respond?â
âI tried everything. I tried to calm her. I reminded her that she always got uptight when she was in a new show. I told her the play was really a good vehicle for her. I told her Ted was crazy about her and she knew it. Then I tried acting angry. I told her . . .â Elizabethâs voice faltered. Her face paled. âI told her she sounded just like Mama in one of her drunks.â
âWhat did she say?â
âIt was as if she hadnât heard me. She just kept saying, âIâm finished with Ted. Youâre the only one I can ever trust. Sparrow, promise youâll go away with me.ââ
Elizabeth no longer tried to check the tears that welled in her eyes. âShe was crying and sobbing. . . .â
âAnd then . . .â
âTed came back. He began shouting at her.â
William Murphy leaned forward. The warmth disappeared from his voice. âNow, Miss Lange, this will be a crucial point in your testimony. On the stand, before you can say whose voice you heard, I have to lay a foundation so that the judge is satisfied that you truly recognized that voice. So this is how weâll do it. . . .â He paused dramatically.
âQuestion: You heard a voice?â
âYes,â Elizabeth said tonelessly.
âHow loud was that voice?â
âShouting.â
âWhat was the tone of that voice?â
âAngry.â
âHow many words did you hear that voice say?â
In her mind, Elizabeth