door stuck, glued shut with thick crimson enamel. Unlike latex, enamel isn’t water soluble. And enamel is expensive, Franklin. Someone made a serious investment. Of course, our old neighborhood has any number of deficiencies, but one of them has never been money.
So I went out the side door and around to the front in my robe. Taking in our neighbors’ artwork, I could feel my face set in the same “impassive mask” the New York Times described from the trial. The Post, less kindly, depicted my expression throughout as “defiant,” and our local Journal News went even further: “From Eva Khatchadourian’s stony implacability, her son might have done nothing more egregious than dip a pigtail in an inkwell.” (I grant that I stiffened in court, squinting and sucking my cheeks against my molars; I remember grasping at one of your tough-guy mottoes, “Don’t let ’em see you sweat.” But Franklin, “defiant”? I was trying not to cry.)
The effect was quite magnificent, if you had a taste for the sensational, which by that point I certainly didn’t. The house looked as if its throat were slit. Splashed in wild, gushing Rorschachs, the hue had been chosen so meticulously—deep, rich, and luscious, with a hint of purplish blue—that it might have been specially mixed. I thought dully that had the culprits requested this color rather than pulled it off the shelf, the police might be able to track them down.
I wasn’t about to walk into a police station again unless I had to.
My kimono was thin, the one you gave me for our first anniversary back in 1980. Meant for summer, it was the only wrap I had from you, and I wouldn’t reach for anything else. I’ve thrown so much away, but nothing you gave me or left behind. I admit that these talismans are excruciating. That is why I keep them. Those bullying therapeutic types would claim that my cluttered closets aren’t “healthy.” I beg to differ. In contrast to the cringing, dirty pain of Kevin, of the paint, the criminal and civil trials, this pain is wholesome . Much belittled in the sixties, wholesomeness is a property I have come to appreciate as surprisingly scarce.
The point is, clutching that soft blue cotton and assessing the somewhat slapdash paint job that our neighbors had seen fit to sponsor free of charge, I was cold. It was May, but crisp, with a whipping wind. Before I found out for myself, I might have imagined that in the aftermath of personal apocalypse, the little bothers of life would effectively vanish. But it’s not true. You still feel chills, you still despair when a package is lost in the mail, and you still feel irked to discover you were shortchanged at Starbucks. It might seem, in the circumstances, a little embarrassing for me to continue to need a sweater or a muff, or to object to being cheated of a dollar and fifty cents. But since that Thursday my whole life has been smothered in such a blanket of embarrassment that I have chosen to find these passing pinpricks solace instead, emblems of a surviving propriety. Being inadequately dressed for the season, or chafing that in a Wal-Mart the size of a cattle market I cannot locate a single box of kitchen matches, I glory in the emotionally commonplace.
Picking my way to the side door again, I puzzled over how a band of marauders could have assaulted this structure so thoroughly while I slept unawares inside. I blamed the heavy dose of tranquilizers I was taking every night (please don’t say anything, Franklin, I know you don’t approve), until I realized that I was picturing the scene all wrong. It was a month later, not a day. There were no jeers and howls, no ski masks and sawn-off shotguns. They came in stealth. The only sounds were broken twigs, a muffled thump as the first full can slapped our lustrous mahogany door, the lulling oceanic lap of paint against glass, a tiny rat-a-tat-tat as spatters splattered, no louder than fat rain. Our house had not been spurted with the
Terry Towers, Stella Noir