cue to turn.
Isabelle Conway was even more remarkable in person than TV depicted. Her eyes were the color of coffee beans and lacked the vapidity attending those belonging to the sort of girl I typically flirted with. Her long hair was wound into a shimmery bittersweet chocolateâcolored updo.
âWell, hello there,â I said, in my best impersonation of the opening gambit of a tuxedoed Humphrey Bogart sort of character.
She cracked up.
I smiled.
âPeter,â she said a little hesitantly. âYou keep making me laugh.â
A commotion of inquiry brought on by others of the eveningâs attendees who crowded in behind us made off with her notice. While they questioned her, I waited patiently. I couldnât help staring, recording her for posterity. She was tall yet stately, with precise shoulders that managed to appear expansive without detracting from the minimalist ethos of her proportions. She was also elaborately made up and costumed. Her face had a sheen of healthy, indolent tan, an ochre cosmetic applied to her symmetrical nose, square chin, and provocatively elevated cheekbones almost imperceptibly, as though sheâd spent a long day reclining in a beach chair on an island sand. It was the hue women of my grandmotherâs generation spent the summers of their youth striving to achieve. The garnet on her lips turned her mouth into that of an RKO Radio Pictures actressâs: sturdy yet delicate, alternately brash and elegant. Her outfit was a uniform belonging to a rarefied profession. It consisted of a suit top that looked like a jacket, with gold buttons running down the tautly tailored front. The long sleeves that clung to her arms concluded in identical buttons. Below was a square black skirt and matching lacquered heels.
Finally she was able to break away from her interrogators and return to me. This time when our gazes connected, they remained. âSorry about that, Peter. Want to start over?â She extended a small hand.
âHapworth,â I returned. âCall me Hapworth.â
âHave you been here long?â she asked me. âTraffic was crazy and I couldnât get an express bus.â
âYou took the bus here?â
A large chef Iâd watched entering the room now stood making imperious throat-clearing sounds behind Izzy. The chefâs coat he wore was larger than any garment that Iâd ever beheld this close, as though fashioned out of an entire tablecloth. It had a bleached starkness that gave the impression of having never been used in actual service.
She turned, and the chef looked at Izzy importunately. Distress telegraphed his face. âSommelier,â he said in a putatively genuine French accent. âMaybe itâs time you talk to the people?â His tinted English sounded to me like the halting, self-contradictory production of an unrehearsed impressionist, whose lack of forethought reduced his channeling to that of a porcine cartoon characterâs.
âDo you smell that?â Izzy asked then. âThe perfume?â
I sniffed the air. âI donât think so.â
She inhaled a measure of staccato eighth notes. âItâs Estée Lauder.â
An older woman turned around. âHow did you know?â
âHer nose has a photographic memory,â a man interjected.
Izzy shrugged. âYou work in fine dining long enough, and eventually youâll smell everything.â
When the chef stepped back a few feet, I followed. Immediately others descended and took our places in order to commandeer Izzyâs attention.
âShe is, after all, why they paid extra for this VIP reception,â he said.
âI would have guessed for these gigantic shrimp,â I teased.
âI am Dominique,â the chef said then. He reached over a meaty paw. âIsabelleâs business partner.â
âChef Dominique, of course,â I said. âMy parents took me to Bistro Dominique once for my