pulled up to a knot of police vehicles.
Uniformed officers were clustered at the tape. Gannon saw nothing beyond them but dense forest, as a stone-faced officer eyed his ID tag then assessed him.
âItâs way in there. Thereâs no chance you media maggots are getting any pictures of anything today.â
The others snickered.
Gannon shrugged it off. Heâd been to more homicides than this asshole. Besides, guys like that never deterred him. If anything, he thought, tapping his notebook to his thigh, they made him better.
All right, pal, if thereâs a story here, Iâm going to find it .
After some thirty minutes of watching detectives in suits, and forensics people in overalls, walk in and out of the forest, Gannon was able to buttonhole a state police investigator with a clipboard heading to his unmarked sedan.
âHey, Jack Gannon from the Buffalo Sentinel . Are you the lead?â
âNo, just helping out.â
âWhat do you have?â
Gannon stole a glimpse of the data on his clipboard. Looked like statements.
âWeâre going to put out a release later,â the investigator said.
âCan you give me a little information now?â
âWe donât have much, just basics.â
âIâll take anything.â
âA couple of walkers discovered a female body this morning.â
âIs it a homicide?â
âLooks that way.â
âWhat age and race is the victim?â Gannon asked.
âIâd put her in her twenties. White or Native American. Not sure.â
âGot an ID?â
âNot confirmed. We need an autopsy for that.â
âCan I talk to the walkers?â
âNo, they went home. It was a disturbing scene.â
âDisturbing? How?â
âI canât say any more. Look, Iâm not the lead.â
âCan I get your name, or card?â
âNo, no, I donât want to be quoted.â
That was all Gannon could get and he phoned it in for the Web edition, putting âdisturbing sceneâ in his lead. In the time that followed, more news teams arrived and Lee Watson, a Sentinel news photographer, called Gannonâs cell phone sounding distant against a drone.
âWhatâs up, are you in a blender, Lee?â Gannon asked.
âIâm in a rented Cessna. The paper wants an aerial shot of the scene.â
Gannon looked up at the small plane.
âWatch for Brandy Somebody looking for you,â Watsonsaid. âSheâs the freelancer theyâre sending to shoot the ground. Point out anything for her.â
When Brandy McCoy, a gum-snapping freelancer, arrived, the first thing Gannon did was lead her from the press pack and cops at the tape to the unmarked car belonging to the investigator heâd talked to earlier.
The detective had gone back into the woods. His car was empty, except for his clipboard on the passenger seat. Gannon checked to ensure no one could see what he and the photographer were doing.
âZoom in and shoot the pages on the clipboard. I need the information.â
âSure.â
Brandyâs jaw worked hard on bubble gum as she shot a few frames then showed Gannon.
âGood,â he said, jotting information down and leaving. âMy carâs over here, come on.â
Â
Twenty minutes later, Gannon and Brandy were walking to the front door of the upscale colonial house of Helen Dodd. She was a real estate broker, and her friend, Kim Landon, owned an art gallery in Williamsville, according to the information Gannon had gleaned from the police statements.
Gannon thought having Brandy accompany him would help. Barely out of her teens, she was nonthreatening, especially with that sunny gum-chewing smile.
As they reached the door, it opened to two women hugging goodbye.
âExcuse us,â he said. âIâm Jack Gannon, and this is Brandy McCoy. Weâre with the Buffalo Sentinel. Weâre looking for Helen Dodd and Kim