Twelve Stories and a Dream Read Free

and going jerky, and that his weak white hands are clenched.
His is a state of tension—horrible tension. And he is the Greatest
Discoverer of This or Any Age—the Greatest Discoverer of This or Any
Age! What strikes one so forcibly about him is that he didn't somehow
quite expect it ever, at any rate, not at all like this. Banghurst is
about everywhere, the energetic M.C. of his great little catch, and
I swear he will have every one down on his lawn there before he has
finished with the engine; he had bagged the prime minister yesterday,
and he, bless his heart! didn't look particularly outsize, on the very
first occasion. Conceive it! Filmer! Our obscure unwashed Filmer, the
Glory of British science! Duchesses crowd upon him, beautiful, bold
peeresses say in their beautiful, clear loud voices—have you noticed
how penetrating the great lady is becoming nowadays?—'Oh, Mr. Filmer,
how DID you do it?'
    "Common men on the edge of things are too remote for the answer. One
imagines something in the way of that interview, 'toil ungrudgingly
and unsparingly given, Madam, and, perhaps—I don't know—but perhaps a
little special aptitude.'"
    So far Hicks, and the photographic supplement to the New Paper is in
sufficient harmony with the description. In one picture the machine
swings down towards the river, and the tower of Fulham church appears
below it through a gap in the elms, and in another, Filmer sits at his
guiding batteries, and the great and beautiful of the earth stand around
him, with Banghurst massed modestly but resolutely in the rear. The
grouping is oddly apposite. Occluding much of Banghurst, and looking
with a pensive, speculative expression at Filmer, stands the Lady Mary
Elkinghorn, still beautiful, in spite of the breath of scandal and her
eight-and-thirty years, the only person whose face does not admit a
perception of the camera that was in the act of snapping them all.
    So much for the exterior facts of the story, but, after all, they are
very exterior facts. About the real interest of the business one is
necessarily very much in the dark. How was Filmer feeling at the time?
How much was a certain unpleasant anticipation present inside that
very new and fashionable frock-coat? He was in the halfpenny, penny,
six-penny, and more expensive papers alike, and acknowledged by the
whole world as "the Greatest Discoverer of This or Any Age." He had
invented a practicable flying machine, and every day down among the
Surrey hills the life-sized model was getting ready. And when it was
ready, it followed as a clear inevitable consequence of his having
invented and made it—everybody in the world, indeed, seemed to take
it for granted; there wasn't a gap anywhere in that serried front of
anticipation—that he would proudly and cheerfully get aboard it, ascend
with it, and fly.
    But we know now pretty clearly that simple pride and cheerfulness
in such an act were singularly out of harmony with Filmer's private
constitution. It occurred to no one at the time, but there the fact is.
We can guess with some confidence now that it must have been drifting
about in his mind a great deal during the day, and, from a little
note to his physician complaining of persistent insomnia, we have the
soundest reason for supposing it dominated his nights,—the idea that it
would be after all, in spite of his theoretical security, an abominably
sickening, uncomfortable, and dangerous thing for him to flap about in
nothingness a thousand feet or so in the air. It must have dawned upon
him quite early in the period of being the Greatest Discoverer of This
or Any Age, the vision of doing this and that with an extensive void
below. Perhaps somewhen in his youth he had looked down a great height
or fallen down in some excessively uncomfortable way; perhaps some habit
of sleeping on the wrong side had resulted in that disagreeable falling
nightmare one knows, and given him his horror; of the strength of that
horror there remains now not a