capture the lights and darks of the forest. You can really see the details of something when you donât have color to distract you. You see whatâs true. Of course, that might just be me being âblack and whiteâ again!
Somehow I donât feel like clicking the shutter just now. I let the camera drop to my side and stand still for a moment, to soak it all in.
Itâs so quiet, I can hear a woodpecker drumming away on a dead tree and two chickadees calling to each other.
Suddenly I hear another sound, a crashing noise coming from my right. I look over just in time to see a young deer leaping through the underbrush. Its white tail flashes as it bounds away, faster than I could ever run. I must have scared the animal when I moved. I wish I could call out to it, tell it that itâs safe here in the nature preserve.
And I would have loved to snap the deerâs picture, but it was moving way too fast for that.
I walk down to the creek now and stoop to take a closer look at a tiny fern growing out of a rock. Mom and I are trying to learn to identify the different types, but I canât remember what this one is called. I take out my camera again and focus on the fern. Click. Iâll look it up in our field guide when I get my pictures back.
As I straighten up, I hear something else. A whimpering sound, very faint. I know that sound.
Itâs an animal in pain.
I listen carefully to figure out which direction itâs coming from, then tuck my camera into my basket and start to run.
I come into a clearing just beyond the creek, near an old apple tree that still blooms sometimes in the spring. The whimpering sound is louder here, but I canât tell what it is.
Then I look down near the base of the tree, and I gasp.
Thereâs a wolf lying there.
No. That canât be!
There are no wolves in these woods. I take a closer look. Itâs a dog, but the shape of his head and his thick, shaggy coat make him look like a wolf.
This dog is in trouble. His beautiful coatâshades of cream, tan, and gray tipped with brownâis dull and matted. And heâs so thin I can practically count every rib. I can see the way his panting makes his chest rise.
At least heâs still alive.
I approach him carefully, trying to see if heâs wearing a collar.
âAre you OK, boy? What happened?â
He watches me closely and curls his upper lip, but heâs too exhausted to growl, much less snap at me. He can barely lift his head. I canât figure it out. Why is he just lying there?
Then I take one step closer, and I know.
My stomach flips over. My knees turn to Jell-O. Suddenly I canât catch my breath.
The dogâs front leg is caught in a trap.
Chapter Three
I canât move. I just stand there, staring at the dog. âOh!â is all I can say. âOh, no!â
He looks up at me. His brown eyes are dull.
I pull it together. âWait here, boy,â I tell the dog. âIâll be right back.â I want to stroke his fur, to comfort him, but I know better than to touch an animal in distress.
I turn and start running. It isnât easy, because my eyes are filled with tears, but I thread my way through the trees and take a shortcut back to the house.
I make it back in record time and burst into Dadâs carpentry shop. He looks up, startled.
âBrenna?â he asks. He puts down the piece of wood heâs holding, turns off the saw, and comes toward me, taking off his safety goggles. âWhat is it, honey?â
âItâs a dog!â I say. âHis foot is in a trap. I think heâsââI take a huge, sobbing breathââdying.â
Dad doesnât waste any time. He steps to the door of his shop. âJayvee!â he yells. Jayvee is playing out back. âTell Sage to call Dr. Macâs. Weâre bringing in an emergency patient. Then call Mrs. Piper and ask if you can go play with Jason for a while.â He