she’d repacked her bags and left.
All she’d left behind was her beloved cat Nelson. Tony had once joked that her relationship with the black cat was the only functional one in her life. The trouble was, that was too close to the bone to be funny. But Nelson was old now. Too old to be stuffed in a cat carrier and traipsed round the country from pillar to post. And her mother was better able to be kind to the cat than she was to Carol. So Nelson stayed and she went.
She still owned a flat in London but it had been so long since she’d lived there, it no longer felt like home. Besides, the difference between her mortgage payments and the rent from her long-term tenant was all she had to live on until the lawyers were done picking over the remnants of Michael’s life. Which left her with a single option.
According to Michael’s will, in the absence of Lucy, Carol inherited his estate. The barn was in his sole name; their house in France had belonged to Lucy. So once probate had been granted, the barn would be hers, blood and ghosts and all. Most people would have hired industrial cleaners, redecorated what couldn’t be cleaned, and sold the place to some off-comer ignorant of the barn’s recent history.
Carol Jordan wasn’t most people. Fractured and fragile as she was, she held fast to the determination that had dragged her through disasters before. And so she’d made a plan. This was her attempt at carrying it out.
She would remove every trace of what had happened here and refashion the barn into a place where she could live. A kind of reconciliation, that’s what she was aiming for. Deep down, she didn’t think it was a likely outcome. But she couldn’t come up with anything else to aim for and it was a project that would keep her occupied. Hard physical work during the days to make her sleep at night. And if that didn’t work, there was always the vodka bottle.
Some days, she felt like the writer in residence at the DIY warehouse, her shopping list a liturgy of items newly discovered, laid out on the page like a sequence of haikus. But she made sense of the dense poetry of home improvement and mastered unfamiliar tools and new techniques. Slowly but inevitably, she was erasing the physical history of the place. She didn’t know whether that would bring her soul any ease. Once upon a time she would have been able to ask Tony Hill’s opinion. But that wasn’t an option now. She’d just have to learn to be her own therapist.
Carol snapped on the bedside lamp and pulled on her new working uniform – ripped and filthy jeans, steel-toed work boots over thick socks, a fresh T-shirt and a heavy plaid shirt. ‘Construction Barbie’, according to one of the middle-aged men who frequented the trade counter at the DIY warehouse. It had made her smile, if only because nothing could have been less appropriate.
While she was waiting for the coffee machine to produce a brew, she headed through the main body of the barn and stepped out into the morning, seeing the promise of rain in the low cloud that shrouded the distant hills. The colour was leaching out of the coarse moorland grass now autumn was creeping up on winter. The copse of trees on the shoulder of the hill was changing colour, its palette shifting from green to brown. A couple of tiny patches of sky were visible through the branches for the first time since spring. Soon there would be nothing but a tracery of naked branches, stripping the only cover from the hillside. Carol leaned on the wall and stared up at the trees. She breathed deeply, trying for serenity.
Once upon a time, the highly evolved sixth sense that keeps talented cops out of trouble would have raised the hairs on the back of her neck. It was a measure of how far she’d come from the old Carol Jordan that she was completely oblivious to the patient eyes watching her every move.
5
R ob Morrison glanced at his watch again, then pulled out his phone to double-check the time. 6:58. The