self-indulgence. Nicholas must resist the Emperor David’s languidly amorous overtures while he takes the lead in preparing the city for, and then withstanding, the siege of the Sultan. The city, however, is betrayed by its Emperor and his scheming Chancellor, and Pagano Doria suffers his own fall, killed by a black page whom he carelessly loved and then sold to the Sultan. Nicholas has willed neither fall, yet has set in motion some of the psychopolitical “engineering” which has triggered these disasters, and he carries, with Father Godscalc’s reflective help and the more robust assistance of Tobie and le Grant, part of the moral burden of them.
The burden weighs even during the triumphant trip back to Venice with a rescued if still recalcitrant Catherine and a fortunein silk, gold, alum, and Eastern manuscripts, the “golden fleece” which this Jason looks to lay at the feet of his beloved wife. A final skirmish with Simon, angry at the failure of his agent Doria, ends the novel abruptly, with news which destroys all the remaining dream of homecoming: Marian de Charetty, traveling through Burgundy in her husband’s absence, has died.
VOLUME III : Race of Scorpions
Rich and courted, yet emotionally drained and subconsciously enraged, Nicholas seeks a new shape for his life after visiting his wife’s grave, establishing his still-resentful stepdaughters in business for themselves, and allowing his associates to form the Trading Company and Bank of Niccolò in Venice. Determined to avoid the long arm of Venetian policy, attracted to the military life not precisely for its sanction of killing but for the “sensation of living through danger” it offers, Nicholas returns from Bruges to the war over Naples in which he had, years before, lost Marian’s son Felix and contracted a marsh fever which revisits him in moments of stress. When he is kidnapped in mid-battle, he at first supposes it to be by order of his personal enemies, Simon and Katelina; but in fact it is Venice which wants him and his mercantile and military skills in another theater of war, Cyprus.
The brilliant and charismatic but erratic James de Lusignan and his Egyptian Mameluke allies have taken two-thirds of the sugar-rich island of Cyprus from his legitimate Lusignan sister, the clever and energetic Carlotta, and her allies, the Christian Knights of St. John and the Genoese, who hold the great commercial port of Famagusta. Sensing that, of the two Lusignan “scorpions,” James holds the winning edge, Nicholas agrees to enter his service. He intends to design the game this time, not be its pawn, but he doesn’t reckon with the enmity of Katelina, who comes to Rhodes to warn Carlotta against him, or the sudden presence of Simon’s Portuguese brother-in-law Tristão Vasquez and Vasquez’s naïve sixteen-year-old son Diniz, all three of whom do become pawns.
Nicholas is now the lover of Carlotta’s courtesan, the beautiful Primaflora, whose games he also thinks he can control, and he recognizes a crisis of countermanipulations brewing between Katelina and Primaflora. Only at the end of the novel, after Katelina’s love/hate for Nicholas has been manipulated to bring Tristão to his death and Diniz to captivity under James, after Nicholas and Katelina rediscover intimacy and establish the truth of their relationship, after a brilliant and deadly campaign waged by Nicholasfor James has brought him to ultimate tragedy—the siege of Famagusta which he planned and executed has resulted, without his knowledge, in the death of Katelina and the near-death of Diniz, trapped in the starving city—only at the end does Nicholas fully admit even to himself that much of this has been planned or sanctioned by Primaflora, intent on securing her own future.
In the end, too, the determinedly rational Nicholas gives vent to his rage. Punishment for the pain of the complex desires and denials in his private and public history cannot be visited upon the