measuring her statements against her son’s, Mr. Bones had managed to stitch together a reasonably coherent portrait of what Willy’s world had looked like before he came into it. A thousand details were lacking. A thousand others were muddled in confusion, but Mr. Bones had a sense of the drift, a feeling for what its shape both was and wasn’t.
It wasn’t rich, for example, and it wasn’t cheerful, and more often than not the air in the apartment had been tinged with sourness and desperation. Considering what the family had been through before it landed in America, it was probably a miracle that David Gurevitch and Ida Perlmutter managed to produce a son in the first place. Of the seven children born to Willy’s grandparents in Warsaw and Lodz between 1910 and 1921, they were the only two to survive the war. They alone did not have numbers tattooed on their forearms, they alone were granted the luck to escape. But that didn’t mean they had an easy time of it, and Mr. Bones had heard enough stories to make his fur tingle. There were the ten days they spent hiding in an attic crawl space in Warsaw. There was the month long walk from Paris to the Free Zone in the south, sleeping in haylofts and stealing eggs to stay alive. There was the refugee internment camp in Mende, the money spent on bribes for safe conducts, the four months of bureaucratic hell in Marseille as they waited for their Spanish transit visas. Then came the long coma of immobility in
Lisbon, the stillborn son Ida delivered in 1944, the two years of looking out at the Atlantic as the war dragged on and their money ebbed away. By the time Willy’s parents arrived in Brooklyn in 1946, it wasn’t a new life they were starting so much as a posthumous life, an interval between two deaths. Willy’s father, once a clever young lawyer in Poland, begged a job from a distant cousin and spent the next thirteen years riding the Seventh Avenue IRT to a button-manufacturing firm on West Twenty-eighth Street. For the first year, Willy’s mother supplemented their income by giving piano lessons to young Jewish brats in the apartment, but that ended one morning in November of 1947 when Willy poked his little face out from between her legs and unexpectedly refused to stop breathing.
He grew up American, a Brooklyn boy who played stick-ball in the streets, read Mad magazine under the covers at night, and listened to Buddy Holly and the Big Bopper. Neither one of his parents could fathom such things, but that was just as well as far as Willy was concerned, since his great goal in life at that stage was to convince himself that his mother and father were not his real parents. He found them alien, wholly embarrassing creatures, a pair of sore thumbs with their Polish accents and stilted foreign ways, and without really having to think about it he understood that his only hope of survival lay in resisting them at every turn. When his father dropped dead from a heart attack at forty-nine, Willy’s sorrow was mitigated by a secret sense of relief. Already at twelve, just barely on the brink of adolescence, he had formulated his lifelong philosophy of embracing trouble wherever he could find it. The more wretched your life was, the closer you were to the truth, to the gritty nub of existence, and what could be more terrible than losing your old man six weeks after your twelfth birthday? It marked you as a tragic figure, disqualified you from the rat race of vain hopes and sentimental illusions, bestowed on you an aura of legitimate suffering. But the fact was that Willy didn’t suffer much. His father had always been a riddle to him, a man prone to weeklong silences and sudden outbursts of rage, and more than once he had slapped down Willy for the smallest, most trifling infraction. No, it wasn’t hard to adjust to life without that bag of explosives. It didn’t take any effort at all.
Or so reckoned the good Herr Doktor Bones. Ignore his opinion if you will, but who
Tara Brown writing as Sophie Starr