you wanna buy a rock?”
The rocks in Johnny Mackers’s hand have been lightly rubbed with crayon. He found them a week ago at Revere Beach with his father: at the beach they were washed by the water and looked valuable and ancient. Dry, they turned gray and merely old. The woman who has answered the door is the witch, of course, the dead girl’s mother. He’s come to her first of all the neighbors because she may be able to grant wishes, and Johnny has one. When it’s the right time, he’ll ask: he wishes his brother dead. She’s the cleanest person he’s ever seen and yet not entirely white. Everything about her is blurred, like dirt beneath the surface of a hockey rink.
He would do anything for her. He knows that right away, too. You have to, to get your wish granted.
He has cobwebs in his hair but she doesn’t smell them. She doesn’t smell the cigarette smoke or the fibers off the wall-to-wall carpet or the must that clings to him from the trunk, the usual immigrant disappointments, the rusty cut on his ankle that needs medical attention. What she smellsis little-kid sweat touched with sweet bland tomato sauce. Ketchup, canned spaghetti, maybe.
“Come in,” she says. “I’ll find my purse.”
Once he’s inside she doesn’t know what to do. She sits him at the kitchen table and offers him a plate of pebbly brown cookies. He eats one. He would rather something chocolate and store-bought, but his mother likes cookies like this, studded with sesame seeds, and he knows that eating them is a good deed. She hooks a cobweb out of his hair with one finger. He picks up another cookie and rubs the side of his cheek with the back of one wrist.
“You need a bath,” she says.
“OK,” he answers.
Now, Joyce. You can’t just bathe someone else’s child. You can’t invite a strange boy into your house and bring him upstairs and say, “Chop chop. Off with your clothes. Into your bath.”
The bathroom is yellow and pink. Johnny Mackers understands his new obedience as a kind of sanitary bewitching. He is never naked in front of his mother like this: his mother likes to pinch. “Just a little!” she’ll say, and she’ll pinch him on his knee and stomach and everywhere. Santos is right, their mother loves Johnny best. His hatred of kisses and hugs has turned her into a pinching tickler, a sneak thief. “Just a little little!” she’ll say, when she sees any pinch-able part of him.
“Bubbles?” Joyce asks, and he nods. But there’s no bubble bath. Instead she pours the entire bottle of shampoo into the tub.
So it’s true, what the neighborhood kids say. She does kidnap children.
He’s not circumcised. He looks like an Italian sculpture from a dream, a polychrome putto from the corner of a church. The tub is rotten, pink, with a sliding glass door that looks composed of a million thumbprints. Soon the bubbles rise up like shrugging, foamy shoulders, cleft where the water from the faucet pours in.
The almond soap is as cracked as an old tooth. The boy steps over the tub edge. “Careful,” Joyce says, as he puts his hand on the shower door runners. When Missy was born, Joyce was relieved: she loved her husband and son but there was, she thought, something different about a girl. Maybe it was scientific, those as-yet unused girl organs speaking to their authorial organs, transmitting information as though by radio. A strange little boy is easier to love than a strange little girl. The water slicking down his dirty hair reveals the angle and size of his ears. She soaps them and thinks of Missy in the tub, the fine long hair knotted at the nape, the big ears, the crescent shape where they attached to her head. The arch at the base of her skull.
“Your ears are very small,” she says.
“I know,” he answers.
She soaps the shoulder blades that slide beneath the boy’s dark skin and is amazed to see that he’s basically intact, well-fed, maybe even well-loved.
(Of course he is. Even now his