my head; it shattered hard straight through my neck into my lungs into my belly, making red sleeves on my reams of vision, which when I shook my head still stayed. There with the voice still there inside me after, my teeth felt colder than my jaw and I was laughing in the sound of Darrel’s laughing like I had always been and always would again all through my chest filled with the slowlight and I knew what I would be and then I instantly forgot. I felt along the closet for the knob and felt a wet thing surrounded by dark hair. In the dark I could not see my arms or anyone. This was our new daylight.
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FLOOD : I’m not surprised to find Gravey claiming here to have been, in so many words, psychically taken over by a child, who, again, I’m not sure if I believe is the same person. He very often acts like a hybrid of a thirteen- and sixty-year-old, spastic then tired, immature then graven. He will often revert to baby talk, even in midsentence, and often he switches between voices as if he’s playing ventriloquist dummy on himself. It is clear now at least that the child at least some part of Gravey remembered being at some point and the burnout he is presently are at this point in the narrative becoming mixed, at least as far as Gravey’s highly damaged point of view. As far as the identity of “Darrel,” I don’t know. Though Gravey will often respond to almost any name you call him, as if it is his name, anytime I mention Darrel, Gravey will gnash his teeth and squeal, in such a way that I can’t tell if he enjoys it or despises it or both .
I waited in the red. My cheeks wore weirder. I didn’t believe the words I’d heard me say into me in the name of Darrel, corkscrewed with flat beer the ringing woke in me and which I drank. The house seemed rather tilted. I laughed too, though I could not feel a center from which the color of my sound came. I kept looking up toward the ceiling to see where Darrel might be through the floor as he had mentioned, but the house was ranch-style. The roof was diamond-eyed. The only stairwell in the whole space went to a stormroom someone had filled up with a bunch of wire and a white chunk of marble big as two of me. Someone said Gravey had been planning to carve a replica of someone famous out of the substance, though who they said the person was was someone I’d never heard of, which seemed not famous, and made in my mind the substance anyone at all. Anyone forever and unending. All over all earth. In the red I held my head inside me and the phone in me was silent. I was spinning. The bumps along my arm began to rise, form clusters. Some came where a watch would be if I would wear a watch but I do not believe in time; one large cushy pustule opened near the center of my skull meat, hidden underneath my hair; also a bulge on the foreskin of my penis, on the bottom side, so that while peeing it could not be seen; one last trio of ridges on the inside of my upper lip like a keyboard. These all rose out of me within eight hours of the first phone call; some became foamy and met my hunger. I tried to corner Josh and give unto him some witness, though he was already so gooey and socially negligible by this point in our lives he just smiled and smiled, taking no part. I nudged him with my boot and said goodbye, for while I knew I’d see him later, I no longer felt him in me anywhere I’d felt anyone I’d known before this hour right now. He was the last one. It was arbitrary. The red was all mine now.
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FLOOD : Gravey’s Escherian perception of the architecture of his home and space surrounding is apparent by now: his house does not indeed have a stairwell (as far as we have uncovered), nor do many of the other physical elements or objects mentioned later actually appear. Perhaps some have been removed or destroyed. Perhaps there are multiple locations he is confabulating into one, much like the contours of his mind. At the same time, having
Jared Mason Jr., Justin Mason