fact that her employer particularly hates pointless questions and, although with a certain effort, she avoids asking them.
âSo, letâs go over this. The four tables near the tamarisks donât have any signal at all.â
âYes. I mean no, they donât.â
âThe three near the pillar, a weak signal.â
âThatâs right.â
âAnd the table under the elms, a full signal.â
âThatâs right. So . . . â
So weâre screwed, Massimo thinks. Shit, it isnât possible. Itâs a conspiracy. I equip the bar with Internet, I spend a small fortune on it, I lose what remains of my mind installing it, setting it up correctly and everything, and in the end what happens? It doesnât work. Worse still, it works in fits and starts. The signalâs useless. It wavers, it fades, it spits. But in one spot, dammit, thereâs a signal. A strong, clear, firm signal. At one table. The table under the elm. The table where my grandfather and those other worshipers of Gerovital have been spending all afternoon every afternoon, from April to October, ever since I opened. Iâm sorry, but to hell with them. I need that table.
Itâs afternoon, and the bar, together with most of the town, is indulging in the long postprandial nap that precedes aperitif time. The only people outside are two girls sitting next to the tamarisks over a laptop and two coffee shakeratos, and the four standard-bearers for the elderly, proudly enthroned on the chairs around the table under the elm. After taking the old-timersâ orders, Tiziana comes back into the bar.
âMassimo?â
âAll present and correct.â
âSo, two espressos, one regular for your grandpa and one with a shot of Sassolino for Aldo. An Averna with ice for Pilade and a chinotto for Rimediotti.â
âRight. Make the coffees for me, Tiziana, please. Iâll see to the rest.â
Massimo takes a wooden tray, puts it on the counter, bends under the counter, and takes out a little bottle of dark liquid. He looks at it lovingly for a moment, then grabs it and shakes it hard for about ten seconds.
He places it delicately on the tray with the bottle opener next to it, then pours a finger of amaro into a glass, adding to it for completenessâs sake another half-finger of balsamic vinegar. Then he picks up a small ice cube directly with his fingers and drops it with a professional air in the glass. Finally, he conscientiously examines the two espressos that Tiziana has made and placed on the tray. He takes a neat sip of both, then in an authoritative manner tops up the contents of the cups with sparkling water taken directly from the refrigerator, and adds a squirt of lemon juice for Aldo, who does after all want it with a shot.
âReady, you can take them.â
âMassimo, come on . . . â
âWhat?â
âDonât play the fool, come on.â
âNever offend the boss. Itâs bad manners and not very clever. I could fire you, you know.â
âI didnât say you are a fool, I said you play the fool. Iâm sorry, but those poor old guys . . . â
âPoor old guys my ass. Did you or didnât you ask them if they could please change tables?â
âYes, Massimo, but even you have to realizeââ
âNot âeven you.â Only you. Massimo has to understand. Massimo has to understand that these poor old guys are creatures of habit. Massimo has to understand that itâs cool under the elm. Plus, I donât see why Massimo has to get so upset. The bar doesnât even belong to him. The old-timers have taken it over. He should just accept the fact.â
âWell, Iâm not taking them these things.â
âNo problem. Rimediottiâs coming.â
Sure enough, one of the old men has entered the bar. An old man in slightly worse shape than the others. He is tall and emaciated, and is
F. Paul Wilson, Blake Crouch, Scott Nicholson, Jeff Strand, Jack Kilborn, J. A. Konrath, Iain Rob Wright, Jordan Crouch