could, leaning over them, kicking a soda bottle across the park, listening to the rattle across rocks and broken glass. Outside Phillipâs trailer, she could see a light on in the kitchen. A cat, wet and muddy, eyed her from under a small porch as she made her way toward the light.
She knocked, listened to a series of loud thumps from inside the trailer, entered when no one came to the door. Inside, Phillip knelt in a corner holding a shoe above his head. A dozen or so brown splotchesâroachesâwere scattered on the floor around him. The kitchen smelled of mold and baked chicken.
Phillip turned as she slid a chair out from the table and sat down. His eyes were large, a little irregular, and his bony elbows and wrists seemed like knots on a straight line. He was not a good-looking boy, but Shelbyâwho was similarly thin, and whoâd had painful acne since she was twelveâcould find the beautiful parts of him when she put her mind to it. His hair, which was long and smelled of smoke and lemon soap, his lips, his neck and fingers. She liked all of these things, and liked him. Believed him to be good, if not good-looking. She felt a turn in her breathing as she sat watching his large eyes. The boy reached into his pocket, took out a roll of dollar bills, tossed them to her.
âHow much?â she said.
âEnough to get us there.â
Under the streetlamp, they sat on an overturned apple crate, watched the first blue-pink rays of the sun appear from across the water. The Olympic Mountains were snow-capped and gray. A half-dozen men and one woman sat on similar crates, on seats torn from old cars. One old man drank from a coffee mug, the steam fogging the manâs glasses each time he sipped. Nothing was said. They all watched the road that led from the trailer park, and those that had them shielded themselves from the rain with umbrellas. Others wore ponchos. Phillip and Shelby sat under a plastic trash bag cut lengthwise down the sides. Phillip slipped a square sheet of white paper from his pocket, unfolded it on his knee. He creased new lines as he refolded it in triangles from each corner, bent those folds inside out and down until heâd made what looked like a fishermanâs rain cap. The man with the coffee mug watched him. Phillip folded two opposite corners together, and then the remaining corners up, folded what was left in half, pressed his finger against the angles to keep the creases. He set the paper right side up and placed it on Shelbyâs knee.
âWhatâs that?â said the old man.
âItâs a sailboat,â said Shelby.
The man squinted and looked doubtful. The woman next to him stamped her boots in the mud, for warmth it seemed, still looking down the road. Behind her, in the distance, the pine trees swayed with the wind.
Shelby placed the sailboat at the edge of one of the puddles, flicked it lightly with her finger. The paper turned back at the motion, the bow pointing up at the sky, but the vessel floated in the red water.
âNice trick,â said the man. He pulled his poncho closer around his shoulders. âMaybe you can make a roof next.â
Shelby picked up the sailboat, shook out the water as best she could. She unfolded the sail first, watched Phillip out of the corner of her eye as he shook his head. Heâd taught her the next folds the week before. She liked that about him: he knew things, even if it was only paper folding and the like. Heâd made a compass from a needle and magnet, Halloween masks from feathers, glue, and cardboard. He knew how to draw well and seemed content to teach her what she could learn. She doubled the paper back, refolded the sail, and turned the bow of the boat inside itself. She took out a pen. In the center of the fold she drew a dot within a circle, added some waved lines and shading at the birdâs neck.
She looked over at the man.
âA dinosaur?â he said.
âA
Reshonda Tate Billingsley