was supposed to do. But this was different from playing truth or dare with Jessica. Iâd only wanted one thing from Jessica last year. This was Hanna. The same Hanna I had been friends with since the fifth grade. The Hanna whom I knew as well as I did my sister. Hanna, who made me feel nervous and safe at the same time.
I panicked. I hesitated too long and broke the mood, so I pretended like I was just going to give her a hug.
We sat there all night, not talking, me with my arm around her, even after it started cramping. Thatâs when I got confused. I started to think I loved, or at least really liked, Hanna, because there was no one else I would sit up with all night long, not even Grace.
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âI hope itâs a good year,â Hanna says. âI really need a good year.â
âYouâll have a great year,â I say.
âOf course.â She pauses and adds, âThereâs nothing to fear .â
I rest the back of my head on the bench. âDepends on whatâs near.â
âOr if itâs all clear.â
Hanna and I play the game that she, Grace, and I started years ago. Grace was usually the best. She had an ear for rhyme. Sheâd write these amazing poems, so it really wasnât fair to play with her. It was never stacked in our favor.
Tonight I win because itâs only Hanna and me now, and Iâm the last one awake. I donât mind that her head has fallen on my shoulder. She smells like Hanna, a little bit of sweat and ivory soap. I put my arm around her and rock us slowly back and forth on the swing. Itâs almost morning, but I donât want to wake her. I want to stay here as long as possible. I listen to her steady breathing and watch the orange glow of dawn creep over us and cover the sky like a blanket.
Four
T he resonance of the electric bass hums against my body. Itâs taken an hour to get here, but now that Iâve worked out the notes on the page, Iâm inside the music. This is where I feel the most clarity. I donât know many holy things, but I know this: Music is holy.
Iâve always had a thing for music. Dad calls it a gift. He started me on lessons when I was six and let me choose the instrument. I picked the bass because of its low and powerful sound. The bass sets the tempo and the feel. If a jazz band is a person, the bassist is the muscle. The drums are the skeleton. Guitars or keys are the limbs. Vocals add the facial gestures. At school, I alternate between upright and electric depending on the group Iâm in.
I canât sing, though. Well, I can sing in a crowd, like âHappy Birthdayâ or to add a little backup, but Iâm more comfortable behind an instrument. I have to take music theory at school, which does require some singing. Thankfully Iâm not graded on the actual vocal quality, just that I know how to read the music.
I think Iâm one of the few in class who actually enjoys the theory. Itâs like studying another language. Maybe Iâm good at it because I know English and Tagalog. Iâm not super-fluent in Tagalog, but I know more than just how to ask where the bathroom is. Any time Iâm around the aunties, Dadâs sisters, they make me practice with them. Tagalog is technically my first language, though I stopped speaking it outside the house in the first grade. It was hard enough when the other kids, mainly white because of the practically all-white suburb we used to live in, would see what Mom had packed Grace and me for lunch.
â Longanisa ,â I would say, as if theyâd never seen sausage before. Itâs awesome, even though it makes your breath stink. And you burp it up all day. So I started asking Mom for peanut-butter-and-jelly sandwiches with the crust cut off, grapes, and a pack of chips.
After Dad married Jenny and we moved to Eagle Rock, which has a pretty good-size Filipino population, I still