pointed out the path to me, partly overgrown by the forest, assuring me that in her youth it used to take her half a day to reach it, and that for me, with my long legs …Very near to the shoreline, I lost my way. Hoping to skirt a hill, I landed in a dank peat bog, floundered about among creeks from which a strong marshy smell arose. The ocean was very close at hand; from time to time the sour surface of the stagnant water was ruffled by a sea breeze … But the sun was already beginning to set; I had to resign myself to going home.
My return was like the retreat following a rout. No longer a known path, wild changes of direction, the ridiculous fear of being really lost, and the spiderwebs I had to keep wiping from my face, along with the salt sweat.
At the moment when I was least hoping for it, the village and the lake suddenly materialized, as if from a dream. A tranquil dream, aglow with the sunset’s pale transparency. I sat down on a thick slab of granite, which must once have marked the boundary of an estate. In a few seconds, weariness flooded in, even banishing my irritation at having failed to reach my goal. I felt drained, absent, as if all that was left of me was this slow stare, sliding weightlessly across the world.
At the place where the path leading to the village met the road to the district capital, I saw Vera. At this crossroads, there was a small sign fixed to a post bearing the name of the village, Mirnoe. A little below this a mailbox had been nailed to it, empty for most of the time but occasionally harboring a local newspaper. Vera went up to the post, lifted the mailbox’s tin flap, thrust her hand inside. Even from a long way off, I sensed that the gesture was not automatic, that it had still not become automatic….
I recalled our first, abrupt encounter at the end of August. The huge fishing net, the glance from an unknown woman, her body hot from the exertion. My conviction that between us anything might have happened. My sense of having missed an opportunity. I had recorded it all in my notebook. Now those notes seemed utterly incongruous. The woman looking for a letter in a rusty mailbox lived on another planet.
It was from this planet that she greeted me as she approached, smiled, made her way toward her house. I thought about this wait of hers, and for the first time her fate seemed neither strange nor unusual to me.
“In fact, all women wait like her,” I formulated clumsily, “throughout their lives. All women, in every country, in every age. They wait for a man to appear, there at the end of the road, in this clear light of sunset. A man with a firm, serious look, returning from somewhere beyond death, to a woman who never gave up hope in spite of everything. And the ones who don’t wait are mere smoked-herring eaters.”
The aggressiveness of this conclusion made me feel better, for I had come to that village partly because of one of those women who were incapable of waiting.
2
I HAD COME TO ESCAPE from people who found our times too slow. But what I was really fleeing was myself, since I differed very little from them. I came to this conclusion one night in March, in the studio we used to call the Wigwam. A face there, sketched on a thinly painted canvas, bore a curious resemblance to my own.
At a certain moment, the tempo of the recitation coincided with the rhythmic panting of two lovers. Everyone tried to keep a straight face. Especially the poet himself, for the content of his verses demanded it. In them, our country was compared to a terrifying planet, whose vast bulk prevented anyone from breaking free from its gravitational pull. The word
planet
was rhymed with
nyet
, several times over, hammered out in an incantation. At the height of the declamation, this reiterated rhyme began to be echoed by masculine grunts, and, in a higher register, the moans of a woman: the couple separated from us only by a few canvases stacked on easels. Including the barely colored-in
Gene Wentz, B. Abell Jurus