nose. He took his time doing it. Nobody blows his nose as often and as meticulously as Schaeffer. I think it's how he meditates.
"I don't know how Erainya got you this case, Navarre, but you should shoot her for it."
The Widower's Two it Step 11
"Actually I know the agent's assistant, Milo Chavez. I was doing Chavez a favour."
Ray Lozano was talking with the paramedics about how to move the corpse. The crowd of college kids outside the police tape was getting bigger. Two more uniforms were leaning on the side of my VW now, watching Jem put his magic rings together.
The cowboy fiddle tunes were swinging right along on Miss Kearnes' cassette deck.
Schaeffer finally put his handkerchief away and looked down at Julie Kearnes, still clenching, her .22 like she was afraid it might jump out of her lap.
"Hell of a favour," Schaeffer told me.
All the way back to the North Side I had to give Jem a lecture about not taking bets on magic tricks from the nice policemen.
Jem nodded like he was listening. Then he told me he could do six rings at a time and did I want to bet?
"No thanks, Bubba."
Jem just smiled at me and pocketed his three new quarters in his OshKosh overalls.
It would've been faster to take McAllister Freeway back to Erainya's office, but I headed up San Pedro instead. Going north on the highway, twenty feet off the ground the whole way, all you see are the hills and the Olmos Basin, a few million live oaks, an occasional cathedral spire, and the tops of some Olmos Park mansions. Clean and forested, like there's no city at all under there. San Pedro is more honest.
For about two miles north of SAC, San Pedro is the dividing line between Monte Vista and the beginning of the West Side. On the right are the old Spanish mansions, The Widower's Two it Step 13
huge acacia and magnolia trees, shaded lawns with Latino gardeners tending the roses, Cadillacs in the wraparound flagstone drives. On the left are the boardedup apartment blocks, the occasional momandpop ice house selling fresh watermelons and Spanish newspapers, the tworoom houses with kids in Goodwill clothes peering out the screen doors.
Go two miles farther up and the bilingual billboards disappear. You drive past white middleclass housing developments and rundown shopping centres from the sixties, streets that were named after characters in I Love Lucy. The land gets flatter; the ratio of asphalt to trees gets worse.
Finally you get to the mirrored office buildings and the singles apartment complexes clustered around Loop 410. Loopland could be in Indianapolis or Des Moines or Orange County. Lots of character.
Erainya's office was in an old white strip mall off 410 and Blanco, between a restaurant and a leather furniture outlet. The parking lot was empty except for Erainya's rusty Lincoln Continental and a newish mustardyellow BMW.
I pulled in next to the Lincoln and Jem helped me put up the ragtop on the VW. Then we got our respective backpacks out of the trunk and went to find his mom.
The black stencil sign on the door said, THE ERAINYA MANOS AGENCY, YOUR
FULLSERVICE GREEK DETECTIVE.
Erainya likes being Greek. She tells me Nick Charles in The Thin Man was Greek. I tell her Nick Charles was rich and fictional; he could be anything he wanted. I tell her she starts calling me Nora I'm quitting.
The door was locked. The miniblinds across the glass front of the office were pulled down. Erainya had stuck one of those cardboard black and white pointing hands over the mail slot, pointing right.
We went next door to Demo's and almost collided with a stocky Latino man on his way out.
He wore a threepiece suit, dark blue, with a gold watch chain and a wide maroon tie.
He had four gold rings and a zircon tie stud and smelled strongly of Aramis. Except for the bulldog expression, he looked like the kind of guy who might offer you credit toward a purchase of fine diamond jewellery.
"Barrera." I smiled. "What's new, Sam—you come by to get some