from the other side and it swings out towards her.
'Ms Lockhart,' he says. 'I take it you have an appointment?'
Iris looks him up and down. He is in a shirt, the tie loose at the neck, the sleeves rolled back. 'Do I need one?'
'No.' He reaches out, seizes her wrist, then her arm, then her shoulder, and pulls her over the threshold towards him. He kisses her neck, pulling the door shut with one hand, while the other is working its way inside her coat, up and under the hem of her blouse, round her waist, over her breast, up the dents in her spine. He half carries, half drags her up the stairs and she stumbles in her heels. Luke catches her elbow and they burst in through a glass door.
'So,' Iris says, as she rips apart his tie and flings it aside, 'does this place have security cameras?'
He shakes his head as he kisses her. He is struggling with the zip of her skirt, swearing with effort. Iris covers his hands with her own and the zip gives, the skirt slides down and she kicks it off her feet, high into the air, making Luke laugh.
Iris and Luke came across each other two months ago at a wedding. Iris hates weddings. She hates them with a passion. All that parading about in ridiculous clothes, the ritualised publicising of a private relationship, the endless speeches given by men on behalf of women. But she quite enjoyed this one. One of her best friends was marrying a man Iris liked, for a change; the bride had a beautiful outfit, for a change; there had been no seating plans, no speeches and no being herded about for horrible photographs.
It was Iris's outfit that had done it – a backless green crêpe-de-Chine cocktail dress she'd had specially altered.
She had been talking to a friend for some time but had still been aware of the man who had sidled up next to them. He was looking about the marquee with an air of calm assurance as he sipped his champagne, as he waved at someone, as he passed a hand through his hair. When the friend said, 'That's quite a dress, Iris,' the man had said, without looking at them, without even leaning towards them, 'But it isn't really a dress. Isn't it what used to be called a gown?' And Iris looked at him properly for the first time.
He had proved to be a good lover, as Iris had known he would. Considerate without being too conscientious, passionate without being clingy. Tonight, however, Iris is beginning to wonder if she is sensing the slightest hint of haste in his movements. She opens her eyes and regards him through narrowed lids. His eyes are closed, his face rapt, concentrated. He lifts her, hoisting her from the desk to the floor and, yes, Iris sees him – she definitely sees him – cast a look at the clock above the computer.
'My God,' he says afterwards, too soon afterwards, Iris feels, before their breathing has returned to normal, before their hearts have slowed in their chests, 'can you drop in every evening?'
Iris rolls on to her stomach, feeling the prickly nap of the carpet against her skin. Luke kisses the small of her back, running his hand up and down her spine for a moment. Then he hoists himself upright, walks to the desk, and Iris watches as he gets dressed. There is an urgency to the way he does it, yanking up his trousers, jerking on his shirt.
'Expected at home?' Iris, still lying on the floor, makes sure to enunciate every word.
He glances at his watch as he straps it to his wrist and grimaces. 'I told her I'd be working late.'
She reaches for a paperclip that has fallen to the carpet and, as she starts to untwist it, remembers irrelevantly that they are called
trombones
in French.
'I should call her, actually,' Luke mutters. He sits on his desk and reaches for the phone. He drums his fingers as he waits, then smiles at Iris – a wide, quick grin that disappears when he says, 'Gina? It's me. No. Not yet.'
Iris tosses aside the paperclip, elongated out of shape, and reaches for her knickers. She doesn't have a problem with Luke's wife but she doesn't