“For the greenfly,” she said. “Nicotine, youknow. They can’t abide it.” I backed out and the three of them held their places, as if waiting for applause, the parents beaming and Nick darkly amused. Baby was still upstairs, playing her jazz and rehearsing for her entrance in act two.
Midnight. My leg has gone to sleep. Wish the rest of me would go with it. Yet it is not unpleasant to be awake like this, awake and alert, like a nocturnal predator, or, better yet, the guardian of the tribe’s resting place. I used to fear the night, its dreads and dreams, but lately I have begun to enjoy it, almost. Something soft and yielding comes over the world when darkness falls. On the threshold of my second childhood, I suppose I am remembering the nursery, with its woolly warmth and wide-eyed vigils. Even as a babe I was already a solitary. It was not so much my mother’s kiss that I Proustianly craved as the having done with it, so that I could be alone with my self, this strange, soft, breathing body in which my spinning consciousness was darkly trapped, like a dynamo in a sack. I can still see her dim form retreating and the yellow fan of light from the hall folding across the nursery floor as she lingeringly closed the door and stepped backwards in silence out of my life. I was not quite five when she died. Her death was not a cause of suffering to me, as I recall. I was old enough to register the loss but too young to find it more than merely puzzling. My father in his well-meaning way took to sleeping on a camp bed in the nursery to keep my brother Freddie and me company, and for weeks I had to listen to him thrashing all night long in the toils of his grief, mumbling and muttering and calling on his God, heaving long, shuddering sighs that made the camp bed crack its knuckles in exasperation. I would lie there intently, trying to listen beyond him to the wind in the trees that ringed the house like sentinels, and, farther off, the boxy collapse of waves on Carrick strand and the drawn-out hiss of waters receding over the shingle. I would not lie on my right side because that way I could feel my heart beating and I was convinced that if I were going to die I would feel it stop before the terrifying final darkness came down.
Strange creatures, children. That wary look they have when adults are about, as if they are worrying whether they are doinga convincing enough impersonation of what we expect them to be. The nineteenth century invented childhood and now the world is full of child actors. My poor Blanche was never any good at it, could not remember her lines or where to stand or what to do with her hands. How my heart would fold into itself in sorrow at the school play or on prize-giving day when the line of little girls being good would develop a kink, a sort of panicky quaver, and I would look along the row of heads and sure enough there she would be, on the point of tripping over her own awkwardness, blushing and biting her lip, and sloping her shoulders and bending her knees in a vain attempt to take a few inches off her height. When she was an adolescent I used to show her photographs of Isadora Duncan and Ottoline Morrell and other big, bold women from whose example she might take comfort and whose extravagance she might emulate, but she would not look at them, only sit in miserable silence with bowed head, picking at her hangnails, her wiry hair standing on end, as if a strong current were passing through it, and the heart-breakingly defenceless pale back of her neck exposed. Now Julian, on the other hand … No; I think not. That subject is the very stuff of insomnia.
Among the newspaper pack this morning there was a girl reporter—how these terms date one!—who reminded me of Blanche, I don’t quite know why. She was not big, like my daughter, but in her manner she had something of the same intent watchfulness. Clever, too: while the rest kept elbowing each other aside in order to ask the obvious