exaggerated versions of my things: skirts that were a little too short, blazers with massive shoulder pads, dangling, Art Decoâinspired earrings) because it seemed easier than trying to pull together my own stuff. In the years to come, my mother would become the go-to teacher for the sexually confused and the suddenly pregnant. But in the nascent stages of her coolness, I wasnât allowed out past ten oâclock. She found it embarrassing that I had a boyfriend. This was beneath me, an unserious pursuit, especially since he wasnât involved in the arts. She didnât want to be known as someone whose daughter would have a boyfriend in high school. She liked when I waited for her at the end of the day so she could drive me home, even (perhaps especially) if it meant my having to pace around the theater while she finished up her business.
Kids whose parents are teachers in their schools are members of a special club. They have to build invisible fences. They have to learn to appear to take it in earnest when their classmates tell them how cool the parent is. They have to learn not to take it personally when they arenât privy to the pot smoking in the boiler room. I never considered myself a member of that club. In those years, my mother seemed to have just slipped through the door as I walked through it on the first day of school. It was never entirely clear what she was doing. She had no theater experience; her background was in music. It made sense that she was volunteering as a piano accompanist, playing in the pit orchestra, coaching singers. It made less sense that she always seemed to be there even after the musicians went home. Hanging out with the set builders, feigning disapproval when kids banged out pop songs instead of the assigned show tunes on the piano, giving more and more orders until everyone just assumed she was in charge.
In all the years that came before, when I was three and six and ten and fourteen, my mother had cautioned me not to be dramatic, not to overaccessorize, not to be âthe kind of kid whoâs always on .â âThat doesnât show a lot of substance,â sheâd say. Substance was one of her all-time most used words; in both of her incarnations she used it liberally, though her powers of appraisal were questionable. A man we knew who was brilliantly insightful, well-read and well-spokenâa true intellectualâcame across to her as lacking in substance because he told hilarious stories about what a screwup heâd been in college. She believed Barbara Walters showed substance on The View when she hushed the other ladies up and spoke her mind.
In the last twenty years of my motherâs life, I think I can count on one hand the times when she did not have a delicate, artisan-woven scarf tossed around her neck. In her entire lifetime I donât think I ever once heard her laugh out loud.
There was no more clothes sharing after I left for college. During that time my mother moved out of our house and into her own place and I came home as infrequently as possible, staying with my father when I did. Her career in full throttle, she was usually too busy for family time anyway. She was out late rehearsing summer stock productions of Sweeney Todd . She had close friends whose names I didnât know and would never learn. Still, my assignment from there on out was clear. For the rest of her life, what I was supposed to do was celebrate how little my mother resembled her own mother. I was supposed to accept that her old personality had been nothing more than a manifestation of various sources of oppression (her mother, her husband, the legacy of 1950s Southern Illinois) and that what we had on our hands now (the fan club of gay men, the dramatic hand gestures, the unsettling way she seemed to have taken on the preening, clucking qualities of a teenage girl, almost as if to make up for skipping over that phase the first time) was the real deal.
I
G.B. Brulte, Greg Brulte, Gregory Brulte