The Unlimited Dream Company Read Free

if my body belonged to a passenger.
    However, I was certain that I never lost consciousness. Immediately the aircraft began to sink. As I tried to releasethe harness, struggling with the unfamiliar buckle, a seething black water filled the cabin and swirled in a greedy way around my waist. I knew that within a few seconds I would be drowned.
    At this point I saw a vision.

CHAPTER 3
The Vision
    Supported by its wings, the aircraft lay passively in the water. A huge cloud of steam rose from the submerged engine and drifted towards the bank. The nose tilted forwards, and the river lapped in an off-hand way at the fractured windshield in front of my face. I slipped the release catch of my harness, and was trying to force open the cabin door when my attention was held by the scene in front of me.
    I seemed to be looking at an enormous illuminated painting, lit both by the unsettled water and by a deep light transmitted through the body of the canvas. What surprised me, as I pushed the cabin door against the current, was the intense clarity of every detail. In front of me, above its sloping lawn, was the half-timbered Tudor mansion. A number of people were watching me, like figures posed by the artist in a formal landscape. None of them moved, as if frozen by the burning aircraft that had burst out of the afternoon sky and fallen into the water at their feet.
    Although I had never been to this town before – Shepperton, I assumed, from the presence of the film studios – I was convinced that I recognized their faces, and that they were a party of film actors resting between takes. Nearest to me was a dark-haired young woman wearing a white laboratory coat. She stood on the foam-flecked lawn below the mansion, playing in a distracted way with three small children. Two boys and a girl, they sat side by side on a swing like monkeys huddled together on a perch, smiling hopefully at whatever game the young woman was trying to arrange for them. Out of the sides of their eyes they watched me in a knowing way, as if they had been waiting all day for me to land my plane in the water for them. The smaller of the boyswore leg-irons, and whistled now and then at his heavy feet, encouraging them to kick the air. The other boy, a stocky, large-skulled mongol, whispered something to the girl, a pretty child with pale cheeks and secretive eyes.
    Above them, in an upstairs window of the mansion, was a handsome, middle-aged woman with a widow’s empty face, the mother, I guessed, of the girl in the white coat. She held the brocade curtain in one hand, a forgotten cigarette in the other, unsure whether the violence of my arrival might drag her down with me. She was calling to a bearded man in his late fifties who sat on the narrow beach that separated me from the bank. An archaeologist of some kind, he was surrounded by easel, wicker hamper and specimen trays, his strong but over-weight body squeezed into a small canvas chair. Although his shirt was soaked with water splashed across him by the aircraft, he was staring intently at something on the beach that had caught his attention.
    The last of these seven witnesses was a man of about thirty, naked but for his swimming trunks, who stood at the end of a wrought-iron pier jutting into the river from the group of riverside hotels beyond the mansion. He was painting the gondola of a miniature Ferris wheel, part of a children’s funfair built on to this crumbling Edwardian pier. He paused paint-brush in hand, and with complete presence of mind glanced casually over his shoulder at me, displaying his blond hair and the showy, muscular physique of a film company athlete.
    The water rose around my chest, surging through the submerged dials of the instrument panel. I waited for one of the witnesses to come to my help, but they stood like actors waiting for a director’s cue, their figures lit by the vibrant light that suffused the air. A deep, premonitory glow lay over the mansion, the amusement pier