me out to lunch, young man.”
It was nice being called “young man,” even if I had to hang out with women in their nineties for that to happen. My wife accompanied me on the drive down Massachusetts State Route 3A, which was mostly inland and not terribly scenic.
But Scituate itself provided all the scenery landlubbing midwesterners like us could drink in, even on a cool overcast afternoon. Nestling on four cliffs, looking down on a gentle curve of coastline, Scituate was a small, quaint community whose antique Cape Cods and Colonial homes had us immediately discussing relocating.
Virginia (on the phone she had made it clear she was “Virginia,” not “Mrs. Raymond”) had suggested the restaurant—Chester’s at the Mill Wharf—which was on Front Street, on the town’s picturesque sheltered harbor, overseen by a nineteenth-century lighthouse. We were early, and sat in the rustic, nautically themed restaurant at a table by the window looking out on the busy harbor—bobbing with pleasure craft and a working fishing fleet—and an ocean so smooth and gunmetal gray it nearly blended with the overcast gunmetal sky.
When the daughter of Jacques Futrelle entered, there was no mistaking her. I had seen Futrelle’s photograph—he had a John Candy–like, round, boyish face, with dark wide-open eyes behind wire-frame glasses, and seemed at once alert and childlike, scholarly and cherubic, and was apparently rather thickset though by no means obese.
Based upon the one known photo of Futrelle aboard the Titanic, a full-figure shot of him on deck in a three-piece suit, his hair ruffled by wind, the author appeared to be fairly stocky, even short.
But Virginia Raymond was tall, close to six foot, with the big-boned frame of her father and a handsome face that echoed his, as well; at ninety, she still cut a commanding figure. She wore a dignified suit—a lavender pattern on top, with a solid lavender skirt (which my wife later described as “very Chanel”)—and she used a cane, though she strode otherwise unaided through the mostly empty restaurant. (We had chosen to dine mid-afternoon, when we would have the place mostly to ourselves.)
We rose, and I introduced my wife and myself, mentioning that both of us were writers.
“Ah, like my parents,” Virginia said, allowing me to help with her chair. “You didn’t know Mother was a writer, too? She and Papa collaborated only once, on a short story that frankly wasn’t very good. Well, of course, they collaborated on my brother and me, too.”
We laughed at that, as I took my seat right across from Virginia. Soon we ordered soft drinks, and chatted about the drive down, and this lovely scenic little city, and explained that we were in Boston making appearances at several bookstores, promoting my latest historical detective novel and an anthology my wife had coedited.
“Look how smooth it is today,” Virginia said, gazing out at the calm gray ocean. “That’s how they say it was, you know. My mother said the ocean was like a millpond, that Sunday night.”
I said nothing, exchanging nervous glances with my wife; we’d agreed to avoid the Titanic in conversation, as on thephone Virginia had made such a point of her willingness to spend time with a Futrelle fan, as opposed to a Titanic buff.
“You know, it’s close to that time of year, isn’t it?” Virginia asked.
Again, I said nothing, just smiled a little—I knew damn well the anniversary of the sinking was days away.
“Each year, on April 14, for as long as she was able, my mother held a private memorial service to my father, and the others who lost their lives that night. She would stand alone on Third Cliff here in Scituate, looking out over the open sea, a fresh bouquet of flowers in her hands… and she would sprinkle the flowers with her tears, and then would toss them, into the water.”
“That’s lovely,” my wife said.
The handsome, deeply grooved features formed an embarrassed smile.
Gene Wentz, B. Abell Jurus