The Tin Collectors
"Steeltooth" Molar. They had both signed Patrolman Applegate's crime-scene attendance sheet and now stood in the bedroom looking down at the body with stone-cut expressions as the lab techs flopped Ray over. His face had already begun to fill with blood, causing a darkening of the skin, known as lividity. More postmortem renal jettisoning had occurred, and the smell of feces in the room was getting strong as the two detectives from Robbery/Homicide silently policed the area, making their preliminary notes and observations. They graphed the location of the body and marked the bullet in the doorjamb that Ray had fired, then instructed the lab techs to dig the slug out and get it to the Investigative Analysis Section for a ballistics comparison. They bagged Shane's 9mm Beretta; it would be booked as evidence.
    Shane was waiting in the living room with Patrolman Applegate. After half an hour the lead Homicide dick, an old, wheezing department warhorse with a basset-hound jawline, came out and sat on the sofa opposite Shane. His name was Garson Welch; he and Shane had shared a few easy grounders back when Shane was still working uniform in Southwest. One case had been so simple, they solved it in less than ten minutes when Shane arrested the perp half a block away as he was trying to stuff the murder weapon down into a Dumpster. The man had confessed on the spot. Shane and Welch had gone EOW at the jail and had had a few beers in a cop bar on Central known as the Billy Club. They didn't have what you'd call a friendship, but they were at least friendly better than nothing.
    "This ain't gonna go down too good at Parker Center, Shane," the old detective said, rubbing his ample forehead with a big, liver-spotted hand.
    "Yeah, Gar, you're right. I should've just stood there and let him kill her with his nightstick."
    "Calm down and listen," Welch went on. "What we got here is a brown shit waffle. Lieutenant Molar had big juice with the Super Chief. People you and I only read about in the L . A . Times are getting phone calls right now over this piece of work. I just got a call and found out he's been Mayor Clark Crispin's police driver for the past two months. So there's gonna be big interest at the city level. We're gonna go slow and get it right."
    "The mayor's driver? Shit," Shane said. He hadn't known that was Ray's new assignment.
    "I'm gonna take your preliminary here, then send you to the Glass House and let your captain do the DFAR," Welch said, referring to the Division Field Activity Report that had to be file d a fter any incident involving violence or death at the hands of a police officer.
    "I got my car. I can meet you there," Shane volunteered.
    "I'll have one of the blues drive it in and park it for you in the underground garage, but you're gonna go downtown in the back of a detective car. By the book. That way, nobody gets days off for bullshit nitpicks."
    "Yeah, sure, if that's the way you want it." Shane was beginning to get a premonition of disaster. Then he followed Detective Welch out of the house for the long drive to Parker Center.

    Chapter 4

the Tin Collector (2000)

DFAR
    THE TRIP DOWNTOWN at four A . M . on deserted freeways took only twenty-two minutes. The black-and-white slick - back that the RHD dicks were forced to drive now finally made a wide turn off Broadway, its headlights sweeping the south side of the Glass House. It pulled up to the security station. Sergeant Welch showed his badge, signed them all in, and drove into the huge underground parking garage that adjoined Parker Center.
    The building was known as "the Glass House" to everybody on the job because of the excessive amount of plate glass that draped its huge boxy shape. The otherwise nondescript building had been designed in the fifties, which had proved to be a decade of architectural blight. The parking garage next door went down nine stories underground. The detectives found a spot on U-3, and both led Shane out of the parking

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