The Tiger Read Free

privately owned logging camp, Gorborukov took an unmarked turn and headed north. After a few minutes, he pulled up at a clearing, on the far side of which stood a cabin.
    The cabin belonged to Vladimir Markov, a resident of Sobolonye, and a man best known for keeping bees. The crude structure stood by itself on the high side of a gentle south-facing slope, surrounded by a thick forest of birch, pine, and alder. It was a lonely spot but a lovely one and, under different circumstances, Trush might have seen its appeal. Now there was no time; it was three o’clock in the afternoon and the sun was already in the southwest, level with the treetops. Any warmth generated during this brief, bright day was quickly dissipating.
    The first sign of trouble was the crows. Carrion crows will follow a tiger the same way seagulls follow a fishing boat: by sticking with a proven winner, they conserve energy and shift the odds of getting fed from If to When. When Trush and his men climbed down from the Kung, they heard the crows’ raucous kvetching concentrated just west of the entrance road. Trush noted the way their dark bodies swirled and flickered above the trees and, even if he hadn’t been warned ahead of time, this would have told him all he needed to know: something big was dead, or dying, and it was being guarded.
    Parked in front of Markov’s cabin was a heavy truck belonging to Markov’s good friend and beekeeping partner, Danila Zaitsev, a reserved and industrious man in his early forties. Zaitsev was a skilled mechanic and his truck, another cast-off from the military, was one of the few vehicles still functioning in Sobolonye. With Zaitsev were Sasha Dvornik and Andrei Onofreychuk, both family men in their early thirties who often hunted and fished with Markov. It was evident from their haggard appearance that they had barely slept the night before.
    Judging from the density of tracks, there had clearly been a lot of activity around the cabin. Several different species were represented and their trails overlaid each other so that, at first, it was hard to sort them out. Trush approached this tangled skein of information like a detective: somewhere in here was a beginning and an end, and somewhere, too, was a motive—perhaps several. Downhill from the cabin, closer to the entrance road, two tracks in particular caught his attention. One set traveled northward up the entrance road at a walking pace; the other traveled south from the cabin. They approached each other directly, as if the meeting had been intentional—like an appointment of some kind. The southbound tracks were noteworthy, not just because they were made by a tiger, but because there were large gaps—ten feet or more—between each set of impressions. At the point where they met, the northbound tracks disappeared, as if the person who made them had simply ceased to exist. Here the large paw prints veered off to the west, crossing the entrance road at right angles. Their regular spacing indicated a walking pace; they led into the forest, directly toward the crows.
    Trush had a video camera with him and its unblinking eye recorded the scene in excruciating detail. Only in retrospect does it strike one how steady Trush’s hand and voice are as he films the site, narrating as he goes: the rough cabin and the scrubby clearing in which it stands; the path of the attack and the point of impact, and then the long trail of horrific evidence. The camera doesn’t waver as it pans across the pink and trampled snow, taking in the hind foot of a dog, a single glove, and then a bloodstained jacket cuff before halting at a patch of bare ground about a hundred yards into the forest. At this point the audio picks up a sudden, retching gasp. It is as if he has entered Grendel’s den.
    The temperature is thirty below zero and yet, here, the snow has been completely melted away. In the middle of this dark circle, presented like some kind of sacrificial offering, is a hand