The Stone Book Quartet Read Free Page A

to carry to Chapel,’ said Mary. ‘Lizzie Allman and Annie Leah have them.’
    ‘Can they read?’
    ‘No. They use them to press flowers.’
    ‘Well, then,’ said Father.
    ‘But they can laugh,’ said Mary.
    ‘Ay,’ said Father. He leant on the hoe and looked at Glaze Hill. ‘Go fetch a bobbin of bad ends; two boxes of lucifer matches and a bundle of candles — a whole fresh bundle. We’re going for a walk. And tell nobody.’
    Mary went into the house to Old William’s room. In a corner by the door he kept the bad ends wound on bobbins. They were lengths of thread that came to him knotted or too thick or that broke on the loom. He tied them together and wove them for Mother to make clothes from. Mary lifted a bobbin and took it out. She found the candles and the lucifer matches.
    Father had put his tools away.
    They went up the field at the back of the house and onto Glaze Hill. When they reached the top the sun was ready for setting. The weathercock on Saint Philip’s was losing light, and woods stretched out.
    ‘I can’t see the churches,’ said Mary. ‘When we were up there this afternoon l could.’
    ‘That’s because they’re all of a height,’ said Father. ‘I told you Glaze Hill was higher.’
    Glaze Hill was the middle of three spurs of land, The Wood Hill came in from the right, and Daniel Hill from the left, and they met at the Engine Vein. The Engine Vein was a deep crevice in the rocks, and along it went the tramroad for the miners who dug galena, cobalt and malachite. The thump of the engine that pumped water out of the Vein could often be heard through the ground on different parts of the hill, when the workings ran close to the surface.
    Now it was dusk, and the engine quiet. The tramroad led down to the head of the first stope, and there was a ladder for men to climb into the cave.
    Mary was not allowed at the Vein. It killed at least once every year, and even to go close was dangerous, because the dead sand around the edge was hard and filled with little stones that slipped over the crag.
    Father walked on the sleepers of the tramroad down into the Engine Vein.
    ‘It’s nearly night,’ said Mary. ‘It’ll be dark.’
    ‘We’ve candles,’ said Father.
    There was a cool smell, and draughts of sweet air. The roof of the Vein began, and they were under the ground. Water dripped from the roof onto the sandstone, splashing echoes. The drops fell into holes. They had fallen for so many years in the same place that they had worn the rock. Mary could get her fingers into some of the holes, but they were deeper than her hands.
    Above and behind her, Mary saw the last of the day. In front and beneath was the stope, where it was always night.
    Father took the whole bundle of candles and set them on the rocks and lit them. They showed how dark it was in the stope.
    ‘Wait while you get used to it,’ said Father. You soon see better. Now what about that roof?’
    Mary looked up into the shadows. ‘It’s not dimension stone,’ she said. ‘There’s a grain to it, and it’s all ridge and furrow.’
    ‘But if you’d been with me that day,’ said Father, ‘when I was prenticed and walked to the sea, you’d have stood on sand just the same as that. The waves do it, going back and to. And it makes the ridges proper hard, and if you left it I reckon it could set into stone. But the tide goes back and to, back and to, and wets it. And your boots sink in and leave a mark.’
    ‘If that’s the sea, why’s it under the ground?’ said Mary.
    ‘And whose are those boots?’ said Father.
    There were footprints in the roof, flattening the ripples, as though a big bird had walked there.
    ‘Was that Noah’s flood, too?’ said Mary.
    ‘I can’t tell you,’ said Father. ‘If it was, that bantam never got into the ark.’
    ‘It must’ve been as big as Saint Philip’s Cockerel,’ said Mary.
    ‘Bigger,’ said Father. ‘And upside down.’
    ‘It doesn’t make sense,’ said