can’t see the ocean floor.” They knew their direction from their mariner’s compass, and by watching the changing outline of the mountains on the far distant capes they could always tell their exact position. Once they had their bearings, they unerringly knew the topography of the ocean floor beneath them.
Countless ropes had been methodically laid out over the floor of the ocean, to each of which were tied more than a hundred pots, and the floats attached to the ropes rolled and tossed with the rise and fall of the tides. In their boat it was the master who knew the art of octopus fishing; all Shinji and the other boy, Ryuji, had to do was lend their strong bodies willingly to the heavy labor involved.
Jukichi Oyama, master fisherman, owner of the Taihei-maru , had a face like leather well-tanned by sea winds. The grimy wrinkles on his hands were mixed indistinguishably with old fishing scars, all burned by the sun down into their deepest creases. He was a man who seldom laughed, but was always in calm good spirits, and even the loud voice he used when giving commands on the boat was never raised in anger. While fishing he seldom left his place on the sculling platform at the stern,only occasionally taking one hand off the oar to regulate the engine.
Emerging into the fishing grounds, they found already gathered there the many other fishing-boats, unseen until now, and exchanged morning greetings with them. Upon reaching their own fishing area, Jukichi reduced the speed of the engine and signaled Shinji to attach a belt from the engine to the roller-shaft on the gunwale.
This shaft turned a pulley which extended over the gunwale. One of the ropes to which the octopus pots were tied would be placed over the pulley, and the boat would slowly follow the rope along as the pulley drew one end up from the sea and let the other fall back into the sea. The two boys also would take turns at pulling on the rope, because the water-soaked hemp was often too heavy a load for the pulley alone and also because the rope would slip off unless carefully guided.
A hazy sun was hidden behind the clouds on the horizon. Two or three cormorants were swimming on the sea, their long necks thrust out over the surface of the water. Looking back toward Uta-jima, one could see its southern cliffs shining, dead-white, stained by the droppings of countless flocks of cormorants.
The wind was bitterly cold, but while he pulled the first rope toward the pulley Shinji stared out over the dark-indigo sea and felt boiling up within him energy for the toil that would soon have him sweating. The pulley began to turn and heavy, wet rope came rising from the sea. Through his thin gloves Shinji could feel the thick, icy rope he grasped in his hands. As it passed over the pulley the taut rope threw off a sleet-like spray of salt water.
Soon the octopus pots themselves were rising to thesurface, showing a red-clay color. Ryuji stood waiting at the pulley. If a pot was empty, he would quickly pour the water out of it and, not letting it strike the pulley, again commit it to the care of the rope, now sinking back into the sea.
Shinji stood with his legs spread wide, one foot stretched to the prow, and continued his endless tug-of-war against whatever there was in the sea. One hand-pull by one hand-pull, the rope came up. Shinji was winning. But the sea was not surrendering: one after the other, mockingly, it kept sending the pots up—all empty.
More than twenty pots had already been pulled up at intervals of from seven to ten yards along the rope. Shinji was pulling the rope. Ryuji was emptying water from the pots. Jukichi, keeping a hand on the sculling oar and never once changing his expression, silently watched the boys at their work.
Sweat gradually spread across Shinji’s back and began to glisten on his forehead, exposed to the morning wind. His cheeks became flushed. Finally the sun broke through the clouds, casting pale shadows at the feet of the