the illustrated dailies of to-day are neither blurred nor smudgy. They were once, it is true, perhaps so late as ten years ago, when the art of picture-printing for daily newspapers was an infant; nowadays they are astonishingly clear. One does wish sometimes that even humorists would move with the times. Roger had no difficulty in deciding that the two faces before him were of the same girl.
He turned to
The Daily Courier
of the same date.
There he found, unobtrusive on a page lined with advertisements, a laconic account of the inquest. Miss Unity Ransome, it seemed, had been a chorus-girl in one of the less important London revues. There was evidence that this was her first engagement on the stage, and she had obtained it, in spite of her inexperience, on the strength of her good looks and air of happy vivacity. Prior to this engagement, nothing was known about her. She shared a tiny flat in Sutherland Avenue with another girl in the same company, but they had met at the theatre for the first time. This girl, Moira Carruthers, had testified that she knew less than nothing about her friend’s antecedents. Unity Ransome not only volunteered no information concerning herself, but actively discouraged questions on that subject. “A regular oyster,” was Miss Carruthers’ happy description.
This reticence the coroner had not been unwilling to emphasise, for on the face of it there appeared no reason for suicide. Miss Carruthers had stated emphatically that, so far as she knew, Unity had never contemplated such a thing. She had appeared to be perfectly happy, and even delighted at having obtained an engagement in London. Her salary, though not large, had quite sufficed for her needs. Pressed on this point, Miss Carruthers had admitted that her friend had more than once expressed a wish that she had been able to earn more, and that quickly; but, as Miss Carruthers pointed out, “Unity was what you might call a real lady, and perhaps she’d been accustomed to having things a bit better style than most of us.” At all events, she had not complained unduly.
The police had made perfunctory efforts to trace her, Roger gathered, and attempts had been made, besides the publication of her professional portrait, to get into touch with any former friends or relations, but without success. To this also the Coroner called attention. In his concluding remarks, he hinted very delicately that the probability seemed to be that she had quarrelled with her family, left home (but not necessarily in disgrace, the Coroner was careful to add with emphasis, thereby showing quite plainly that this was precisely what he thought), and endeavoured to make a career for herself on the stage; and though she might appear to have met with unexpected success in this direction, who could say what remorse and unhappiness might not burden the life of a young girl cut off thus from all the comforts to which, it would seem, she had been accustomed? Or, again, she might have been an orphan, left penniless, and overcome by a loneliness which she felt, rightly or wrongly, to be unbearable. In other words, the Coroner was extremely sorry for the girl, but he wanted to get home to his lunch and the usual straightforward verdict was the best way of doing so.
He got his wish. Indeed, there was little likelihood of anything else, for Unity Ransome had simplified matters by leaving a little note behind her. The note ran briefly as follows: “I am sick and tired of it all, and going to end it the only way.” It was not signed, but there was plenty of evidence that it was in her writing. A verdict of “Suicide during Temporary Insanity” was inevitable.
Quite illegally Roger cut the little paragraph out of the file and put it away in his pocket-book. Then he went upstairs again and sought out the news-editor, with whom he usually lunched.
For some reason Roger did not say anything to the news-editor about his activities of the morning. News-editors, though