the inside of a fridge, without the clutter of butter trays and old food. It did not seem to Falcón that any entertaining had ever taken place in this room.
The living room by comparison was like the inside of a confused person's head. Every surface was covered in bric-a-brac – souvenirs from around the world. Falcón saw holidays in which Vega obsessively filmed with the latest technology while his wife devastated the tourist shops. On the mid section of the sofa was a cordless phone, a box of chocolates with half a tray uneaten and three remotes for satellite, DVD and video. On the floor was a pair of pink fluffy slippers. The lights were off, as was the television.
Each of the stairs up to the bedrooms was made out of a slab of absolute black granite. He checked the glass- smooth surfaces as he moved slowly upwards. Nothing. The floor at the top of the stairs was made of black granite inlaid with diamonds of white marble. He was drawn to the door of the master bedroom. The double bed was occupied. A pillow lay over the face of the occupant whose arms lay outside the light duvet on the bed. There was a slim band of a wristwatch on an arm flung out as if reaching for help. A single visible foot had bright-red toenails. He went to the bedside and checked for a pulse while looking down on the two depressions in the pillow. Lucia Vega was dead, too.
There were three other rooms upstairs, all with bathrooms. One was empty, another had a double bed and the last belonged to Mario. The ceiling of the boy's room was painted with a night sky. An old, one-armed teddy bear lay face up on the bed.
Falcón reported the second dead body to Juez Calderón. The Médico Forense was kneeling by Sr Vega's side and working at prising his fingers apart.
'There seems to be a note in Sr Vega's right hand,' said Calderón. 'The body's cooled down quickly in the air con and I want him to get it out without tearing it. Any first thoughts, Inspector Jefe?'
'On the face of it, it looks like a suicide pact. He's smothered his wife and then drunk some drain cleaner, although that's a nasty, lingering way to kill yourself.'
'Pact? What makes you think there was an agreement?'
'I'm just saying that's what it looks like,' said Falcón. The fact that the little boy was left out of it might indicate some collusion. A mother wouldn't be able to bear the thought of the death of her own child.'
'And a father could?'
'It depends on the pressure. If there's the possibility of financial or moral disgrace he might not want his male child to see that or live with the knowledge of it. He would see killing him as a favour. Men have killed their entire families because they think they have failed them and that it's better nobody survives bearing their name and its shame.'
'But you have your doubts?' said Calderón.
'Suicide, whether it's a pact or not, is rarely a spontaneous thing and there are some spontaneous elements to this crime scene. First, the door was not securely locked. Consuelo Jiménez had called to say that Mario had fallen asleep so they were sure he wasn't going to return, but they didn't double lock the door.'
The door was shut, that was enough.'
'If you're about to do something unnatural you would put yourself behind locked doors to make absolutely certain there was no possibility of interruption. It's a psychological necessity. Serious suicides normally take full precautions.'
'What else?'
'The way everything has just been left here: the phone, the chocolates, the slippers. There seems to be a lack of premeditation.'
'Well, certainly on her part,' said Calderón.
That is a point, of course,' said Falcón.
'Drain cleaner?' said Calderón. 'Why would you take drain cleaner?'
'We may find there was something stronger than drain cleaner in the bottle,' said Falcón. 'The reason? Well, he could be meting out punishment to himself… you know, cleaning himself of all his sins. There's also the advantage of it being noiseless and,