she found Courtney dusting the autographed golf balls in Howard’s display cabinet.
“They’re waiting in the Lincoln,” Courtney said.
“Mr. Drury and Mr. Barwood.”
Kris glanced at her watch. She was running late.
Having Steve bring the car out of the garage to idle in the driveway was Howard’s way of telling her so.
A garden path, bordered by rosebushes, white oleander, and bird-of-paradise, led from the main house to the guest cottage attached to the garage. A gray Lincoln Town Car, the Carrier model, idled in the driveway, Steve Drury at the wheel. The car was her own, but the pleasure of driving it was one more thing Hickle had taken from her.
Steve got out and opened the rear door for her. He had changed into slacks, a button-down shirt, and a suit jacket that concealed his Beretta. She slipped into the backseat, next to Howard, while Steve slid behind the wheel and adjusted the volume on the Alpine audio system. He was playing a CD of Mozart’s Magic Flute, her favorite. It soothed her.
The Lincoln pulled out of the driveway and headed down a narrow lane colonnaded with tall eucalyptus trees. At the gate, guards waved the Town Carthrough, and the sedan accelerated onto Pacific Coast Highway, rushing over the bridge that straddled Malibu Creek. In the lagoon fed by the estuary, a few shore birds lifted themselves into the afternoon sun.
“Did you check?” she asked Howard tonelessly.
He acknowledged her only with a half turn in her direction.
“I checked. Nothing serious to report.”
“Meaning?”
“He called a couple of times this morning. Not since then. It’s been a quiet afternoon. Maybe he’s losing interest.”
“Sure. Maybe.”
But she knew Raymond Hickle would never lose interest in her as long as she was alive.
Hickle sat on the roadside, a hat covering his face, and watched the Town Car pull out of the Malibu Reserve gate. He took a good look at it when it turned onto the coast highway. The car was close; he could see his own reflection in the polished panels of the passenger doors.
In the lightly tinted rear window there was the vague outline of a silhouetted figure.
There was no chance that Kris or her driver would spot him. Sitting cross-legged on the curb, the hat pulled low, he was just one of the many faceless derelicts who wandered through Malibu and other towns along the California coast. He could watch Kris come and go, and no one would be the wiser.
His gaze followed the car as it disappeared down the road. He kept staring after it even when it was long gone. Then he got up and retraced his steps to his own car, a Volkswagen Rabbit parked on a side street a mile from Malibu Reserve.
He had no intention of trying to catch up with Kris.
Her driver was a security officer trained to spot a pursuing vehicle and take evasive action.
Even so, he expected to arrive at the studio gate well before she did.
She had left earlier than usual, and the route she’d taken—southbound on Pacific Coast Highway, heading toward West LA—was not the most direct way to Burbank.
He figured she had an appointment to keep. It would occupy her for a half hour or longer. By the time she reached the studio, he would be positioned near the entrance to the parking lot.
In his car, he had his duffel bag. And in the duffel, he had the shotgun. He imagined holding it now, feeling its sleekness, its smoothness, pumping the action and then the trigger, and the satisfying recoil as the spray of lethal shot fanned wide.
“Blammo,” Hickle said. He was smiling.
Abby Sinclair was late and walking fast as she came out of the elevator on the eighteenth floor of the Century City high-rise where Travis Protective Services housed its office suite. She had fixed her hair as best she could in the elevator, but in T-shirt, jeans, and Nikes, she wasn’t exactly dressed for a business meeting.
At the end of the hall she paused before the double doors emblazoned with the TPS logo. The doors were
Chris Adrian, Eli Horowitz