The Seamstress and the Wind Read Free Page B

would! An order like that came once a year, or less. And with the useless husband that she had — according to the neighborhood consensus, she was not in a position to moralize. Th e situation was tailored for her, because one velocity was superimposed on another. I already said that when she put her hands to a job the fittings overlapped with the final stitch . . . A pregnancy had a fixed term and speed, which is to say, a certain slowness; but this was not a matter of a baby’s layette; in Silvia Balero’s case it was an anachronism of timing, which attracted a lot of attention in town. Th e ceremony, the white dress, the husband . . . It all had to be carried out quickly, in an instant, in the blink of an eye, that was the only way it would work. And it didn’t really work, because anyone who might claim an opinion that would matter to Silvia was already on notice. It’s something to think about, why she went to so much trouble. Probably because she was obligated to do it.
    She was a girl whose twentieth year had passed without a fiancé, without marriage. She was a professional, in her way. She had studied drawing, or something like that, in an academy in Bahía Blanca; she taught classes at the nun’s school (her job was in jeopardy), at the National College, and to private students; she organized exhibitions, and that kind of thing. She was not only a licensed drawing teacher but a friend of the arts, she was almost avant-garde. It was true she’d gotten only as far as the Impressionists, but there’s no need to be too harsh on that point. For Pringlenses at that time you had to explain Impressionism, and start history all over again, with courage. She did not lack courage, even if perhaps it was only her foolish thoughtlessness. And she was pretty, very pretty even, a tall blonde with marvelous green eyes, but that is what always happens to spinsters: being pretty to no effect. To have been pretty in vain.
    Th e real problem was not her, but the husband. Who could it be? It was a mystery. It takes two to get married. She was getting married, for love, as they said (or they made her say in the stories: everything was very indirect), and not out of necessity . . . very well, it was a lie but very well. Except, to whom? Because the subject, the responsible party, was married, and had three daughters. Hysterics of the type who took their nuptial fantasies for reality were abundant among the spinsters of Pringles. Th ey represented an almost magical power. And from Balero one might well expect something like that, even if no one had expected it of her before. Th is was all supposition, commentary, gossip, but it was advisable to pay attention to it because as a general rule that was as right as the truth.

7
    DELIA SIFFONI WAS already crazy, and the disappearance of her only son drove her crazy again. She went into a frenzy. Prodigious spectacle, perennial postcard, transcendental cinema, scene of scenes: to see a madwoman go mad. It’s like seeing God. Th e history of the last decades has made this occasion stranger and stranger. Although I was a witness, I would not dare attempt a description. I defer to the judgment of the neighborhood, where the members of the same sex as the defendant always got the last word. Th e men were in charge of the men, the women of the women. My mother was an enthusiastic supporter of desperation when it came to children. According to her, there was nothing to do but howl, lose your head, make scenes. Luckily she never had to: she had German blood, she was discreet and reserved in the extreme, and I don’t know how she would have managed it. Anything less was equivalent to being “calm,” which in her allusive but very precise language meant not loving your offspring. Beyond desperation she saw nothing. Later she did see, she saw too much, when our happiness fell apart, but at that time she was very strict: the scene, the curtain of screaming — and beyond it nothing. Th e fact