might be. 'Is she,' thought I,
'as alien to what I like as Tynedale, Seacombe, the Misses
Seacombe—as the affectionate relative now striding before me? or
is she better than these? Shall I, in conversing with her, feel
free to show something of my real nature; or —' Further
conjectures were arrested by my entrance into the dining-room.
"A lamp, burning under a shade of ground-glass, showed a handsome
apartment, wainscoted with oak; supper was laid on the table; by
the fire-place, standing as if waiting our entrance, appeared a
lady; she was young, tall, and well shaped; her dress was
handsome and fashionable: so much my first glance sufficed to
ascertain. A gay salutation passed between her and Mr.
Crimsworth; she chid him, half playfully, half poutingly, for
being late; her voice (I always take voices into the account in
judging of character) was lively—it indicated, I thought, good
animal spirits. Mr. Crimsworth soon checked her animated
scolding with a kiss—a kiss that still told of the bridegroom
(they had not yet been married a year); she took her seat at the
supper-table in first-rate spirits. Perceiving me, she begged my
pardon for not noticing me before, and then shook hands with me,
as ladies do when a flow of good-humour disposes them to be
cheerful to all, even the most indifferent of their acquaintance.
It was now further obvious to me that she had a good complexion,
and features sufficiently marked but agreeable; her hair was red
—quite red. She and Edward talked much, always in a vein of
playful contention; she was vexed, or pretended to be vexed, that
he had that day driven a vicious horse in the gig, and he made
light of her fears. Sometimes she appealed to me.
"'Now, Mr. William, isn't it absurd in Edward to talk so? He says
he will drive Jack, and no other horse, and the brute has thrown
him twice already.
"She spoke with a kind of lisp, not disagreeable, but childish.
I soon saw also that there was more than girlish—a somewhat
infantine expression in her by no means small features; this lisp
and expression were, I have no doubt, a charm in Edward's eyes,
and would be so to those: of most men, but they were not to
mine. I sought her eye, desirous to read there the intelligence
which I could not discern in her face or hear in her
conversation; it was merry, rather small; by turns I saw
vivacity, vanity, coquetry, look out through its irid, but I
watched in vain for a glimpse of soul. I am no Oriental; white
necks, carmine lips and cheeks, clusters of bright curls, do not
suffice for me without that Promethean spark which will live
after the roses and lilies are faded, the burnished hair grown
grey. In sunshine, in prosperity, the flowers are very well; but
how many wet days are there in life—November seasons of
disaster, when a man's hearth and home would be cold indeed,
without the clear, cheering gleam of intellect.
"Having perused the fair page of Mrs. Crimsworth's face, a deep,
involuntary sigh announced my disappointment; she took it as a
homage to her beauty, and Edward, who was evidently proud of his
rich and handsome young wife, threw on me a glance—half
ridicule, half ire.
"I turned from them both, and gazing wearily round the room, I
saw two pictures set in the oak panelling—one on each side the
mantel-piece. Ceasing to take part in the bantering conversation
that flowed on between Mr. and Mrs. Crimsworth, I bent my
thoughts to the examination of these pictures. They were
portraits—a lady and a gentleman, both costumed in the fashion
of twenty years ago. The gentleman was in the shade. I could
not see him well. The lady had the benefit of a full beam from
the softly shaded lamp. I presently recognised her; I had seen
this picture before in childhood; it was my mother; that and the
companion picture being the only heir-looms saved out of the sale
of my father's property.
"The face, I remembered, had pleased me as a boy, but then I did
not understand it; now I knew how rare that
Ann Voss Peterson, J.A. Konrath