telling them. We are having a history lesson,” said Miss Brodie, catching a falling leaf neatly in her hand as she spoke.
“Crying over a story at ten years of age!” said Miss Mackay to the girls who had stragglingly risen from the benches, still dazed with Hugh the warrior. “I am only come to see you and I must be off. Well, girls, the new term has begun. I hope you all had a splendid summer holiday and I look forward to seeing your splendid essays on how you spent them. You shouldn’t be crying over history at the age of ten. My word!”
“You did well,” said Miss Brodie to the class, when Miss Mackay had gone, “not to answer the question put to you. It is well, when in difficulties, to say never a word, neither black nor white. Speech is silver but silence is golden. Mary, are you listening? What was I saying?”
Mary Macgregor, lumpy, with merely two eyes, a nose and a mouth like a snowman, who was later famous for being stupid and always to blame and who, at the age of twenty-three, lost her life in a hotel fire, ventured, “Golden.”
“What did I say was golden?”
Mary cast her eyes around her and up above. Sandy whispered, “The falling leaves.”
“The falling leaves,” said Mary.
“Plainly,” said Miss Brodie, “you were not listening to me. If only you small girls would listen to me I would make of you the crème de la crème.”
2
M ARY M ACGREGOR , although she lived into her twenty-fourth year, never quite realised that Jean Brodie’s confidences were not shared with the rest of the staff and that her love-story was given out only to her pupils. She had not thought much about Jean Brodie, certainly never disliked her, when, a year after the outbreak of the Second World War, she joined the Wrens, and was clumsy and incompetent, and was much blamed. On one occasion of real misery—when her first and last boy friend, a corporal whom she had known for two weeks, deserted her by failing to turn up at an appointed place and failing to come near her again—she thought back to see if she had ever really been happy in her life; it occurred to her then that the first years with Miss Brodie, sitting listening to all those stories and opinions which had nothing to do with the ordinary world, had been the happiest time of her life. She thought this briefly, and never again referred her mind to Miss Brodie, but had got over her misery, and had relapsed into her habitual slow bewilderment, before she died while on leave in Cumberland in a fire in the hotel. Back and forth along the corridors ran Mary Macgregor, through the thickening smoke. She ran one way; then, turning, the other way; and at either end the blast furnace of the fire met her. She heard no screams, for the roar of the fire drowned the screams; she gave no scream, for the smoke was choking her. She ran into somebody on her third turn, stumbled and died. But at the beginning of the nineteen-thirties, when Mary Macgregor was ten, there she was sitting blankly among Miss Brodie’s pupils. “Who has spilled ink on the floor—was it you, Mary?”
“I don’t know, Miss Brodie.”
“I daresay it was you. I’ve never come across such a clumsy girl. And if you can’t take an interest in what I am saying, please try to look as if you did.”
These were the days that Mary Macgregor, on looking back, found to be the happiest days of her life.
Sandy Stranger had a feeling at the time that they were supposed to be the happiest days of her life, and on her tenth birthday she said so to her best friend Jenny Gray who had been asked to tea at Sandy’s house. The speciality of the feast was pineapple cubes with cream, and the speciality of the day was that they were left to themselves. To Sandy the unfamiliar pineapple had the authentic taste and appearance of happiness and she focussed her small eyes closely on the pale gold cubes before she scooped them up in her spoon, and she thought the sharp taste on her tongue was that of a