this Picasso is. Does he have a tire swing like me? Does he ever eat his crayons?
I know I have lost my magic, so I try my very best. I clutch the crayon and think.
I scan my domain. What is yellow?
A banana.
I draw a banana. The paper tears, but only a little.
I lean back, and Mack picks up the drawing. âAnother day, another scribble,â he says. âOne down, nine to go.â
What else is yellow? I wonder, scanning my domain.
I draw another banana. And then I draw eight more.
three visitors
Three visitors are here: a woman, a boy, a girl.
I strut across my domain for them. I dangle from my tire swing. I eat three banana peels in a row.
The boy spits at my window. The girl throws a handful of pebbles.
Sometimes Iâm glad the glass is there.
my visitors return
After the show, the spit-pebble children come back.
I display my impressive teeth. I splash in my filthy pool. I grunt and hoot. I eat and eat and eat some more.
The children pound their pathetic chests. They toss more pebbles.
âSlimy chimps,â I mutter. I throw a me-ball at them.
Sometimes I wish the glass were not there.
sorry
Iâm sorry I called those children slimy chimps.
My mother would be ashamed of me.
julia
Like the spit-pebble children, Julia is a child, but that, after all, is not her fault.
While her father, George, cleans the mall each night, Julia sits by my domain. She could sit anywhere she wants: by the carousel, in the empty food court, on the bleachers coated in sawdust. But I am not bragging when I say that she always chooses to sit with me.
I think itâs because we both love to draw.
Sara, Juliaâs mother, used to help clean the mall. But when she got sick and grew pale and stooped, Sara stopped coming. Every night Julia offers to help George, and every night he says firmly, âHomework, Julia. The floors will just get dirty again.â
Homework, I have discovered, involves a sharp pencil and thick books and long sighs.
I enjoy chewing pencils. I am sure I would excel at homework.
Sometimes Julia dozes off, and sometimes she reads her books, but mostly she draws pictures and talks about her day.
I donât know why people talk to me, but they often do. Perhaps itâs because they think I canât understand them.
Or perhaps itâs because I canât talk back.
Julia likes science and art. She doesnât like Lila Burpee, who teases her because her clothes are old, and she does like Deshawn Williams, who teases her too, but in a nice way, and she would like to be a famous artist when she grows up.
Sometimes Julia draws me. I am an elegant fellow in her pictures, with my silver back gleaming like moon on moss. I never look angry, the way I do on the fading billboard by the highway.
I always look a bit sad, though.
drawing bob
I love Juliaâs pictures of Bob.
She draws him flying across the page, a blur of feet and fur. She draws him motionless, peeking out from behind a trash can or the soft hill of my belly. Sometimes in her drawings, Julia gives Bob wings or a lionâs mane. Once she gave him a tortoise shell.
But the best thing she ever gave him wasnât a drawing. Julia gave Bob his name.
For a long time no one knew what to call Bob. Now and then a mall worker would try to approach him with a tidbit. âHere, doggie,â theyâd call, holding out a French fry. âCome on, pooch,â theyâd say. âHow about a little piece of sandwich?â
But he would always vanish into the shadows before anyone could get too close.
One afternoon, Julia decided to draw the little dog curled up in the corner of my domain. First she watched him for a long time, chewing on her thumbnail. I could tell she was looking at him the way an artist looks at the world when sheâs trying to understand it.
Finally she grabbed her pencil and set to work. When she was finished, she held up the page.
There he was, the tiny, big-eared dog. He was