gloves or sweatbands, he pulled out his creased Moleskine notebook. These days he remembered nothing without writing it down in his tattered diary. Everything went in there, from the transcendental to the banal. Everything must be recorded. This was his compulsion. His diary was essentially a long letter to his son, Zack. Leaving a record of his search for his only boy. Noting his observations and theories involving the vampire menace. And, as a scientist, simply recording data and phenomena.
At the same time, it was also a helpful exercise for retaining some semblance of sanity.
His handwriting had grown so cramped over the past two years, he could barely read his own entries. He recorded the date each day, because it was the only reliable method of tracking time without a proper calendar. Not that it mattered much—except for today.
He scribbled down the date, and then his heart pushed a double beat. Of course. That was it. Why he was back here yet again.
Today was Zack’s thirteenth birthday.
Y OU MAY NOT LIVE BEYOND THIS POINT warned the sign affixed to the upstairs door, written in Magic Marker, illustrated with gravestones and skeletons and crosses. It was drawn in a younger hand, done when Zack was seven or eight. Zack’s bedroom had been left essentially unchanged since the last time he’d occupied it, the same as the bedrooms of missing kids everywhere, a symbol of the stopping of time in the hearts of their parents.
Eph kept returning to the bedroom like a diver returning again and again to a sunken shipwreck. A secret museum; a world preserved exactly as it had once been. A window directly into the past.
Eph sat on the bed, feeling the mattress’s familiar give, hearing its reassuring creak. He had been through everything in this room, everything his boy used to touch in the life he used to lead. He curated this room now; he knew every toy, every figurine, every coin and shoestring, every T-shirt and book. He rejected the notion that he was wallowing. People don’t attend church or synagogue or mosque to wallow; they attend regularly as a gesture of faith. Zack’s bedroom was a temple now. Here, and here alone, Eph felt a sense of peace and an affirmation of inner resolve.
Zack was still alive.
This was not speculation. This was not blind hope.
Eph knew that Zack was still alive and that his boy had not yet been turned.
In past times—the way the world used to work—the parent of a missing child had resources to turn to. They had the comfort of the police investigative process, and the knowledge that hundreds, if not thousands, of people identified and sympathized with their plight and were actively assisting in the search.
This abduction had occurred in a world without police, without human law. And Eph knew the identity of the being that had abducted Zack. The creature that was once his mother—yes. She committed the abduction. But her action was compelled by a larger entity.
The king vampire, the Master.
But Eph did not know why Zack had been taken. To hurt Eph, of course. And to satisfy his undead mother’s drive to revisit her “Dear Ones,” the beings she had loved in life. The insidious epidemiology of the virus spread in a vampiric perversion of human love. Turning them into fellow strigoi locked them to you forever, to an existence beyond the trials and tribulations of being human, devolving into only primal needs such as feeding, spreading, survival.
That was why Kelly (the thing that was once Kelly) had become so psychically fixated on their boy, and how, despite Eph’s best efforts, she had been able to spirit him away.
And it was precisely this same syndrome, this same obsessive passion for turning those closest to them, that confirmed to Eph that Zack had not been turned. For if the Master or Kelly had drunk the boy, then Zack would surely have returned for Eph as a vampire. Eph’s dread of this very occurrence—of having to face his undead son—had haunted him for two