screech of cranks turning
somewhere. He can’t remember where the taxi crossed the water and, spotting a
narrow footbridge, he is about to step on to it.
‘Watch
out!’
He is stunned: the voice is so close to
him! Just when Maigret was feeling absolutely alone, a man has turned up within
three metres of him – and the inspector must strain to make out even his
silhouette.
Now he understands that warning: the
footbridge he was about to cross is moving. It’s the gate of the lock itself
that is opening, and the sight becomes even more hallucinatory because quite close
by, a few metres away, it’s no longer a man that appears but an entire wall,
as high as a house. On top of this wall are lights shining fitfully through the
mist.
A ship is passing – and Maigret could
reach out to touch it! When the end of a hawser thuds down near him, someone picks
it up, lugs it to a bollard and makes it fast.
‘Slow astern! … Stand
by!’ shouts someone up on the bridge of the steamer.
A few moments earlier, the place had
seemed dead, deserted. And now Maigret, walking the length of the lock, sees that
the mist is full of human figures. Someone is turning a winch. Another man runs up
with a second mooring line. Customs officials are waiting for the gangway to be
lowered to allow them aboard. And none of them can see a thing, in the thick mist
that pearls in droplets on the men’s moustaches.
‘You want to cross
over?’
The voice is quite close. Another
lock-gate.
‘Hurry up, or you’ll have to
wait a good fifteen minutes …’
He goes across holding on to the
handrail, hears water boiling beneath his feet and, still in the distance, the
moaning of the foghorn. The more Maigret
advances, the more this world of mist fills with teeming, mysterious life. A light
draws him on; approaching, he sees a fisherman, in a boat moored to the dock,
lowering and raising a net attached to some poles.
The man glances at him without interest,
then begins to sort through a basket of small fish.
The lights illuminating the mist around
the ship make it easier to see what is going on. Up on deck, they’re speaking
English; a man in an officer’s cap is initialling documents at the edge of the
quay.
The harbourmaster! The replacement for
Captain Joris …
Like Joris, the man is short, but
he’s thinner, more lively, and jokes around with the ship’s
officers.
The world has dwindled to a few square
metres of patchy illumination and a vast black hole where water and terra firma make
their invisible presence felt. The sea is over there, to the left, barely murmuring
at all.
Wasn’t it on a night like this
that Joris suddenly vanished from the scene? He was checking papers, like his
colleague now, and probably cracking jokes, too. He was keeping track of the
sluicing water and all the activity. He had no need to see everything; a few
familiar sounds would have been enough. Look at the way no one here watches where
he’s going!
Maigret has just lit a pipe and begins
to scowl; he does not like to feel clumsy. He’s angry with himself for being a
ponderous landlubber for whom the sea is a source of fear or wonder.
The lock-gates
open. The ship enters a canal almost as wide as the Seine in Paris.
‘Forgive the interruption: are you
the harbourmaster? … Detective Chief Inspector Maigret, of the Police
Judiciaire. I’ve just brought home your colleague.’
‘Joris is here? So it really is
he? … I heard about it this morning … But, is it true
he’s …’
And he gently taps his forehead.
‘For the moment, yes. Will you
spend all night here?’
‘Never more than five hours at a
stretch. As long as the tide lasts, basically! There are five hours during each tide
when the ships have enough water to enter the canal or set out to sea, and this
window shifts every day. Tonight, we’ve just begun and we’ll be