stabilized with bits of lumber. There are bullet holes through the fabric, and rusty stains that can only be blood. I reject the sofa. There are no tables, no chairs, no posters, no wall decorations of any kind, unless you count a crucifix. Above the cot, a sad, dark, plaster crucified Jesus recalls His time in the desert.
âBeer?â Maria doesnât wait for an answer. She walks behind a curtain and pulls a six-pack of Heinekens from a noisy refrigerator.I believe I am being offered one of Bud Wilkinsâs unwitting contributions to the guerrilla effort. I should know itâs best not to ask how Dutch beer and refrigerators and â57 two-tone Plymouths with fins and chrome make their way to nowhere jungle clearings. Because of guys like me, in better times, thatâs how. Thereâs just demand and supply running the universe.
âTake your time, Alfie.â Maria is beaming so hard at me itâs unreal. âWeâll be back soon. Youâll be cool and rested in here.â
Andreas manages a contemptuous wave, then holding hands, he and Maria vault over the railing of the back porch and disappear.
Sheâs given me beer, plenty of beer, but no church key. I look around the room. Ransome or Bud would have used his teeth. From His perch, Jesus stares at me out of huge, sad, Levantine eyes. In this alien jungle, weâre fellow Arabs. You should see whatâs happened to the old stomping grounds, compadre.
I test my teeth against a moist, corrugated bottle cap. Itâs no good. I whack the bottle cap with the heel of my hand against the metal edge of the cot. It foams and hisses. The second time it opens. New World skill. Somewhere in the back of the shack, a parakeet begins to squawk. Itâs a sad, ugly sound. I go out to the back porch to give myself something to do, maybe snoop. By the communal laundry tub thereâs a cage and inside the cage a mean, molting bird. A kid often or twelve teases the bird with bits of lettuce. Its beak snaps open for the greens and scrapes the rusty sides of the bar. The kid looks defective, dull-eyed, thin but flabby.
âGringo,â he calls out to me. âGringo, gum.â
I check my pockets. No Dentyne, no Tums, just the plastic cover for spent travellerâs checks. My life has changed. I donât have to worry about bad breath or gas pains turning off clients.
âGringo, Chiclets.â
The voice is husky.
I turn my palms outward. âSorry, youâre out of luck.â
The kid leaps on me with moronic fury. I want to throw him down, toss him in the scummy vat of soaking clothes, but heâsprobably some sort of sacred mascot. âHow about this pen?â Itâs a forty-nine cent disposable, the perfect thing for poking a bird. I go back inside.
I am sitting in the HQ of the Guerrilla Insurgency, drinking Heineken, nursing my indignation. A one-armed man opens the door. âMaria?â he calls. â
Prego.
â Which translates, indirectly, as âThe truck is unloaded and the guns are ready and should I kill this guy?â I direct him to find Andreas.
She wakes me, maybe an hour later. I sleep as I rarely have, arm across my eyes like a bedouin, on top of the mounds of boots and gear. She has worked her fingers around my buttons and pulls my hair, my nipples. I canât tell the degree of mockery, what spillover of passion she might still be feeling. Andreas and the idiot boy stand framed in the bleaching light of the door, the boyâs huge head pushing the bandolier askew. Father and son, it suddenly dawns. Andreas holds the birdcage.
âTheyâve finished,â she explains. âLetâs go.â
Andreas lets us pass, smirking, I think, and follows us down the rutted trail to Budâs truck. He puts the bird cage in the driverâs seat, and in case I miss it, points at the bird, then at me, and laughs. Very funny, I think. His boy finds it hilarious. I will
not
be