The Lord of the Rings Omnibus (1-3) Read Free

such a way - these queries to himself were written out: Tolkien is literally thinking on paper. This gives an added dimension of understanding to Tolkien’s comment to Stanley Unwin in a 1963 letter that, when suffering from trouble with his shoulder and right arm, ‘I found not being able to use a pen or pencil as defeating as the loss of her beak would be to a hen.’ And we, as readers of these volumes, can share with Tolkien himself the wonder and bewilderment of new characters appearing as if from nowhere, or of some other sudden change or development, at the very moment of their emergence into the story.
    I know of no other instance in literature where we have such a ‘history of the writing’ of a book, told mostly by the author himself, with all the hesitations and false paths laid out before us, sorted out, commented upon, and served up to a reader like a feast. We are shown innumerable instances in the minutest detail of the thought-process itself at work. We see the author fully absorbed in creation for its own sake. And this is all the more exceptional because this is a history not only of the unfolding of a story and its text, but of the evolution of a world. There is an additional wealth of material beyond simple narrative text. There are maps and illustrations. There are languages and writing systems, and the histories of the peoples who spoke and wrote in these systems. All of these additional materials add multiple dimensions of complexity to our appreciation of the invented world itself.
    Fifty years into the published life of The Lord of the Rings, it seems extraordinary to me that we have not only such a masterful work of literature but also as a companion to it an unparalleled account of its writing. Our gratitude as readers goes to both of the Tolkiens, father and son.
    Douglas A. Anderson
    May 2004

NOTE ON THE 50 TH ANNIVERSARY EDITION
    In this edition of The Lord of the Rings, prepared for the fiftieth anniversary of its publication, between three and four hundred emendations have been made following an exhaustive review of past editions and printings. The present text is based on the setting of the HarperCollins three-volume hardcover edition of 2002, which in turn was a revision of the HarperCollins reset edition of 1994. As Douglas A. Anderson comments in the preceding ‘Note on the Text’, each of those editions was itself corrected, and each also introduced new errors. At the same time, other errors survived undetected, among them some five dozen which entered as long ago as 1954, in the resetting of The Fellowship of the Ring published as its ‘second impression’.
    That the printer had quietly reset The Fellowship of the Ring, and that copies had been issued without proof having been read by the author, never became known to Tolkien; while his publisher, Rayner Unwin, learned of it only thirty-eight years after the fact. Tolkien found a few of the unauthorized changes introduced in the second printing when (probably while preparing the second edition in 1965) he read a copy of the twelfth impression (1962), but thought the errors newly made. These, among others, were corrected in the course of the reprinting. Then in 1992 Eric Thompson, a reader with a keen eye for typographic detail, noticed small differences between the first and second impressions of The Fellowship of the Ring and called them to the attention of the present editors. About one-sixth of the errors that entered in the second printing quickly came to light. Many more were revealed only recently, when Steven M. Frisby used ingenious optical aids to make a comparison of copies of The Lord of the Rings in greater detail than was previously accomplished. We have gladly made full use of Mr Frisby’s results, which he has generously shared and discussed.
    In the course of its fifty-year history The Lord of the Rings has had many such readers who have recorded changes made between its various appearances in print, both to