SEARLE LECROIX HIT the high note at the end of the verse. The crowd reached toward him, swept up in his performance like wheat pulled forward by a prairie wind. He grinned and pushed the cowboy hat down on his forehead.
In the stands behind home plate, carbon dioxide swirled around Tasia. Lecroix hit the downbeat. On cue, she began to sing.
“Give me a shot of whiskey with a chaser of tears . . .”
Her soprano filled the air like silver. The crowd cheered. Lecroix felt a rush.
He hit the chord change to G major. Tasia’s voice gained power.
“Give me a shot of courage, blow away all my fears . . .”
Her magenta corset swam in and out of view through the smoke. The crowd was spilling onto the balcony around her. What on earth? And she had something in her hand. It caught the light.
A gun.
He lost the beat. The bass player glanced at him.
Theatrically, like she was a gunfighter practicing a quick draw, she swung the gun up, aimed at the stage, and pretended to pull the trigger. The second round of fireworks whizzed into the air from the stage scaffolding. Tasia jerked her hand up, miming recoil. The fireworks burst with a crackle and poured red light on the crowd.
It looked like Tasia had set them off. She raised the gun to her lips and blew on the barrel.
Wow. The girl wanted to tie the crowd in knots. Indulging herself in some fake gunplay— Drive the guys crazy, why don’t you?
More fireworks lit off, green and white. Again Tasia raised the gun, fake-fired, and blew on the barrel.
“Fire away, hit me straight in the heart . . .”
Lecroix’s own heart beat in double time. Above the stadium, two helicopters flew into view. The third round of fireworks burst, red, white, and blue. Tasia’s voice rocketed above them.
“Baby, give me a shot.”
She raised the gun again. Smoke obscured her.
A sound cracked through the ballpark like cannon fire.
B ELOW THE BELL 212, the ballpark swept into view. Andreyev heard Rez yelling at him over the radio.
“The weapon’s not a prop and—”
A colossal bang cracked through Andreyev’s headphones.
“Christ.” Ears ringing, he called to the pilot of the other helicopter. “Break off.”
Was Tasia Goddamned McFarland firing at him? The second chopper veered right. Andreyev banked sharply, following it.
Hack shouted, “Too close!”
He’d banked too hard. He jerked the controls, but it was too late. His tail rotor hit the second chopper’s skids.
The noise was sudden, loud, everywhere. The chopper shook like it had been hit with a wrecking ball. The tail rotor sheared off.
Hack yelled, “Andreyev—”
The chopper instantly spun, losing height. Andreyev fought with the controls. “Hang on.”
The engines screamed. The view spun past Andreyev. Bay Bridge, downtown, sunset, scoreboard. God, clear the scoreboard, get past it and ditch in the bay and don’t auger into the crowd—
“Hang, on, Hack.”
The bay swelled in his windshield.
O NSTAGE, LECROIX HEARD metal shearing. He glanced up. In the sky above the stadium, debris spewed from one of the stunt helicopters. The crowd gasped. The chopper spun in circles, engine whining. It keeled at a sharp angle and dropped behind the scoreboard toward the bay.
The security guards waved at the band. “Get down. Look out.”
A slice of rotor blade buried itself in the stage like a hatchet.
The drummer leaped up, knocked over his kit, and hit the stage with his hands over his head. Lecroix threw down his guitar and jumped into the crowd.
A chunk of the chopper’s tail plunged like a meteor into the front row seats. Screaming, the crowd fled. Lecroix fought against the tide, aiming for the stands where CO 2 canisters continued to spew white smoke.
Lightning seemed to run through him. He knew where the first God-awful banging noise had come from. And why it was deafening, infinitely louder than the pyrotechnics or guitar solo.
The gun had fired, next to Tasia’s headset mike.
A