there?â
âNo. I wouldnât be able to stand it. I couldnât get leave anyway. My father wrote to me, after they went down last Christmas.â
âDid he say it was bad?â
âHell, no. It was a happy letter. He said compared to the sixth floor of a tenement, it was a Goddamn resort. A little house with a little yard with flowers, and they have a vegetable garden, and two oak trees, and a dirt road, and a front porch with a swing where they can sit. And friends. Old people. They gather on the porch at night and drink coffee and talk. No gangs of punks. No junkies. No dealers. Sometimes thereâs a fight at the bar.â
âThatâs the best kind.â
âOf fight?â
âOf bar.â
âI forgot. You donât like the officersâ club. Mean-ass Cajun carries a knife. Holds it at a redneck. Poor guyâs celebrating. Just being happy because they found what the fish and the river left of Emmett Till.â
âA pocket knife. For fishing and hunting. And in general.â
âIn general.â
âIâve always had one. Since Daddy gave me my first oneââ
âWhen you were two.â
âEight. To go with my first long pants.â
âNo button on it? Makes the blade come out smelling blood?â
âHere.â
I twisted in the seat and tried to put my hand in my pocket, but he said: âShit no, man. Donât pull that thing in here. This is your kind of place, not mine. I like quiet plastic bars. I donât need some drunk Marine charging over with a bayonet. Just happens to be taped to his leg. Tell your joke.â
âYouâre not kidding, are you?â
âAbout what?â
âViolence.â
âNot at all, friend. If it werenât for the draft, I wouldnât even be a public relations man in a fucking uniform.â
âI thinkââ
Then I stopped, and looked away, at the reddened darkness and the moving shapes of people.
âYou think what?â
I looked at him.
âThat if I were a Negro Iâd be dead now.â
âOr you would have learned how to stay alive. The joke, Mr. Fontenot. And I hope itâs not as complex as you are.â
âIâm not complex.â
âNo,â he said. âYouâre not.â He finished his beer, looked at my near-empty glass, and raised his hand without looking at the bar, or at the waitress when she somehow and at once noticed him and came and he ordered Asahis. He was looking at me, at my eyes. âMy Cajun shipmate,â he said.
âThereâs a monkey walking down the road. In the South, a gravel road, a country road, and heâs walking on the side of it. He hears a pickup coming behind him, and he looks around, and thereâs a white man at the wheel, speeding up and aiming at the monkey, and the monkey jumps off the road just in time and lands in a deep ditch. Truck goes on and the monkey climbs out and brushes himself off and shakes his head. Then he starts walking down the road again. After about a mile he sees a car coming toward him, on the other side of the road. Thereâs a Negro driving, and when he sees the monkey he comes across the road at him, and the monkey jumps in the ditch and the car misses him and goes on by. Monkey climbs out of the ditch again. He brushes off the dust and watches the car driving away, and shakes his head and says: My people, my people â¦â
Again Willie laughed, even as the waitress appeared suddenly out of the dark and noise, and he reached back for his wallet, doubling forward with that motion and his laughter too, and gave her some yen and shook his head and held his hand up to refuse the change and she thanked him in JapaneseâI canât spell the word; its sound is arrigato âthen he stopped laughing and drew on his cigarette but he laughed again as he inhaled, then he coughed. I was laughing and he waved a hand at me to stop so he could