hot-tempered.â
âCarry blades too, I hear. You talk French to the slaves down there?â
âAlways. Called them bête noires .â
âI hear we have a distinct smell. Maybe just to the cracker nose.â
âThey did.â
âDid it smell a little bit like poverty?â
âTheir part of town did. And neglect.â
âThey do seem to go hand in hand. Smell like fear maybe too? Like a dog at the vetâs?â
âI donât know. Sweat, maybe.â
âAh: a little of both, then. Because they was workinâ theah black asses off foâ the cuh nel, choppinâ his cotton and wet-nuhsinâ his chillun anâ fetchinâ him mint joo leps own the ve ran dah. White people smell like milk. We get nauseated in a theater full of white people.â
âThey didnât have that problem at home.â
âOh I reck on not. Smell gun powdah if dey go to a movie wif de white folks.â
âDo I smell like milk?â
âRight now you smell like Asahi. At sea you smell like wet dreams.â
âYou too.â
âBut dreams that stimulate a huge cock.â He held his hands apart, as though showing the length of a fish that fought him for thirty minutes and then threw the hook. âActually Iâm an insult to my people. Louisa thinks Iâve got a cracker in my woodpile.â
âYou can dance, though.â
âSing too. Want to hear something from Porgy and Bess? Or Showboat? â
âWant to hear a Southern joke?â
âThey have those?â
âItâs sociological.â
âIt ought to be.â
âMaybe itâs even philosophical. Maybe Eleanor Roosevelt started it. Sent a chain letter to Negroes.â
âI didnât know they could get mail down there. Canât read enough to vote, how can they get mail?â
âItâs very complex. There are heroic deliveries.â
âNight riders?â
âOf the New Frontier.â
So I told him those two jokes. There in the booth, which was small like everything, it seems, in Japan; our feet and legs bumped and drew back and shifted beneath the low table. In that bar lit by softened red lights, much like the passageways aboard ship, to protect the pilotsâ night vision. But the lights were softer, and came from behind the bar and perhaps a couple of dim ceiling lights. Faces at nearby tables were shapes with vague features. Cigarettes rose to them, glowed, descended. My eyes burned. At the tables and in booths and sitting at the bar were officers in civilian suits and ties (Willie and I had taken off our coats, unbuttoned our collars, loosened our ties), and sailors and Marines in uniform, some with women, some waiting their chance, a few oblivious. The waitresses carried trays among the tables as if they did not need to see. They were slender shapes in kimonos, wide sleeves moving like shadows with substance, their hair darker than the darkness of the room, their faces in the light a pale glow, with brightly darkened lips and eyes. While men stumbled and bumped their way to the toilet, these women glided, like the figures a child is afraid he will wake to see entering his bedroom and, without a sound of breath or feet, crossing its floor.
âThereâs this boy living on a cotton plantation, and he goes off to college, and after a while he writes to his daddy and says everybody in the fraternity has a monkey and will his daddy buy him one too. So the man buys his son a monkey, and the boy brings him home on vacations, and when heâs finished college he asks his daddy if he can leave the monkey at home, because heâs going out into the world. So his daddy says sure, son, thatâll be fine. So the boy leaves and the monkey stays, and one day the man goes outside and sees the monkey out in the cotton field. Heâs carrying a gunny sack and going down the rows, picking cotton and putting it in the sack, and the man