The Jews in America Trilogy Read Free Page A

constantly replenished with new Packard engines. An astonishing piece of machinery, it was tall enough for a man to stand in. Mr. Walter suffered from glaucoma, and believed that it was the result of striking his head on the ceiling of a low car. There was, therefore, a practical reason for the automobile’s imposing proportions. The tallest car in New York was always driven with its window shades down, and, both inside and out, its decor was restrained; every bit of chrome was oxidized so that it would have no glare, out of consideration for Mr. Walter’s sensitive eyes. Though the Pierce-Arrow could be seen coming from blocks away, its head high above the heads of others, Mr. Walter also believed that toning down the car’s trimmings made it less “conspicuous.” (After Willie Walter’s death, his heirs sold the Pierce-Arrow to James Melton, a classic-car enthusiast; Melton painted it, polished it, added all sorts of shiny gadgetry, and sold it to Winthrop Rockefeller, who added even more. You should see it now.)
    To the city outside, this world seemed exotic and remote. It was envied misunderstood, resented, but more often than not it was simply ignored, which was exactly what members of the Jewish upper class preferred. Overlooked, the group flourished and grew. It developed an outer shell that was opaque and impervious to prying. Within, a territory existed as intricately designed and convoluted as a chambered nautilus, a particular principality cloistered inside the world of the very rich. To those who lived there, it was all there was. It was New York’s other Society—a citadel of privilege, power, philanthropy, and family pride. What was not so apparent was that it was also a citadel of uncertainty and fear. Under the seemliness there was bitterness, jealousy, warfare—no more and no less than in any society. One had to be brought up in the castle to realize that. For even murder, when it occurred, was politely kept “within the family.”
    Among the people Granny Goodhart visited were the Loebs, Sachses, Guggenheims, Schiffs, Seligmans, Speyers, Strauses, Warburgs, Lewisohns, and of course other Lehmans and Goodharts. There were also the Baches, the Altschuls, the Bernheimers, Hallgartens, Heidelbachs, Ickelheimers, Kahns, Kuhns, Thalmanns, Ladenburgs, Wertheims, Cahns, Bernhards, Sheftels, Mainzers, Stralems, Neustadts, Buttenwiesers, Josephthals, Hellmans, Hammersloughs, Lilienthals, Morgenthaus, Rosenwalds, Walters, and Wolffs. With the exception of the Guggenheims—who came from German-speaking Switzerland—all these families trace their origins to Germany (a surprising number to Bavaria). They have referred to themselves as “the One Hundred,” as opposed to “the Four Hundred.” They have been called the “Jewish Grand Dukes.” But most often they have simply called themselves “our crowd.”
    The men of our crowd made their fortunes as merchants or bankers or—in the now somewhat antique phrase—as “merchant bankers.” Their business monuments include R. H. Macy & Company (Strauses), Abraham & Straus (Abrahams, Strauses, and Rothschilds—“the Brooklyn branch” of the European Rothschilds), and a number of celebrated investment and banking houses in Wall Street, including Lehman Brothers; Hallgarten & Company; Speyer & Company; Kuhn, Loeb & Company; Goldman, Sachs & Company; J. & W. Seligman & Company; J. S. Bache & Company; and Carl M. Loeb, Rhoades & Company. Families such as the Lewisohns and Guggenheims, whose fortunes are usually associated with mining and smelting, also maintained banking houses downtown. Some families, such as the Wertheims, moved from manufacturing (cigars) into banking (Wertheim & Company).
    For a long time you either belonged to “our crowd” or you didn’t. For several generations the crowd was strikingly intramural when it came to marriage, making the