different—when the world looks like an imitation of itself, cunningly crafted yet discrepant in small but essential details. He thinks of Helen, his wife, asleep up in the room that used to be his when he was a boy. Stretched beside her rigid and wakeful in the pre-dawn dusk he had wanted to rouse her but had not had the heart, so soundly was she sleeping. He might go up now and lie down again on the too-narrow bed and close her to him, but something that is a sort of shyness, a sort of fear, even, holds him back.
Good thing, by the way, that this young husband does not know what my doughty Dad, the godhead himself, was doing to his darling wife up in that bedroom not an hour since in what she will imagine is a dream.
On the subject of fathers: Adam has not seen his yet. When they arrived last night he pleaded his and Helen’s weariness after the journey and said they would go straight to bed. He thought that to visit the old man then would have been gruesome; he would have felt like a body-snatcher measuring up a fresh specimen, or a vampire-hunter breaking into a crypt. Although he has not told her so he thinks his mother should not have insisted on taking Pa out of the hospital. Bringing him home to die is a throwback, something Granny Godley would have approved. Yet this morning he is sorry that he did not go at once and at least look at him, his fallen father, for with each hour that passes it will be so much the harder to force himself up those stairs and into that sickroom. He does not know how he will behave at the side of what everyone, without saying so, has acknowledged is his father’s deathbed. He has never been at a death before and hopes not to have to be present for this one.
Petra is still scratching, but with decreasing momentum, absently, like a cat slowly losing interest in its itch. He wishes he could help her, could assuage even one of her sore, inflamed spots. Yet he resents her, too, has always resented her, since before she was born, even, his usurper. He has a sudden clear memory of her as a baby in her cot, wrapped tight in a blanket, like a mummified yet all too living infanta. “Oho, my bucko, she’ll make you hop,” Granny Godley would say with a cackle, “—you’ll think your arse is haunted!”
“Come on,” he says now brusquely to the girl, “come on, and we’ll have our breakfast.”
And sister and brother, these waifs, shuffle off into the shadows. It is shadowed too up in the Sky Room where Adam Godley at the centre of a vast stillness is going about his dying. Yes, he too is Adam, like his son. By the way, apropos names and the like, I suppose I should before going further give some small account of myself, this voice speaking out of the void. Men have made me variously keeper of the dawn, of twilight and the wind, have called me Argeiphantes, he who makes clear the sky, and Logios, the sweet-tongued one, have dubbed me trickster, the patron of gamblers and all manner of mountebanks, have appointed me the guardian of crossroads, protector of travellers, have conferred on me the grave title Psychopompos, usher of the freed souls of men to Pluto’s netherworld. For I am Hermes, son of old Zeus and Maia the cavewoman. You don’t say, you say.
I understand your scepticism. Why in such times as these would the gods come back to be among men? But the fact is we never left—you only stopped entertaining us. For how should we leave, we who cannot but be everywhere? We merely made it seem that we had withdrawn, for a decent interval, as if to say we know when we are not wanted. All the same, we cannot resist revealing ourselves to you once in a while, out of our incurable boredom, or love of mischief, or that lingering nostalgia we harbour for this rough world of our making—I mean this particular one, for of course there is an infinity of others just like it that we made and must keep ever vigilantly in our care. When on a summer’s day a sudden gale tears through the