the mantelpiece.
At that distance the table looked like an island, the bluish and reddish pieces of furniture, in their vague outline, like the organs of a body almost alive.
I looked at the wardrobe. Bright, confused lines going straight up, its feet in darkness. The ceiling, the reflection of the ceiling in the glass, and the pale window like a human face against the sky.
I returned to my room--as if I had really left it--stunned at first, my thoughts in a whirl, almost forgetting who I was.
I sat down on my bed, thinking things over quickly and trembling a little, oppressed by what was to come.
I dominated, I possessed that room. My eyes entered it. I was in it. All who would be there would be there with me without knowing it. I should see them, I should hear them, I should be as much in their company as though the door were open.
. . . . .
A moment later I raised my face to the hole and looked again.
The candle was out, but some one was there. It was the maid. No doubt she had come in to put the room in order. Then she paused.
She was alone. She was quite near me. But I did not very well see the living being who was moving about, perhaps because I was dazzled by seeing it so truly--a dark blue apron, falling down from her waist like rays of evening, white wrists, hands darker than her wrists from toil, a face undecided yet striking, eyes hidden yet shining, cheeks prominent and clear, a knot on top of her head gleaming like a crown.
A short time before I had seen the girl on the staircase bending over cleaning the banisters, her reddened face close to her large hands. I had found her repulsive because of those blackened hands of hers and the dusty chores that she stooped over. I had also seen her in a hallway walking ahead of me heavily, her hair hanging loose and her body giving out an unpleasant odour, so that you felt it was obnoxious and wrapped in dirty underwear.
. . . . .
And now I looked at her again. The evening gently dispelled the ugliness, wiped out the misery and the horror, changed the dust into shadow, like a curse turned into a blessing. All that remained of her was colour, a mist, an outline; not even that; a thrill and the beating of her heart. Every trace of her had disappeared save her true self.
That was because she was alone. An extraordinary thing, a dash of the divine in it, to be actually alone. She was in that perfect innocence, that purity which is solitude.
I desecrated her solitude with my eyes, but she did not know it, and so /she/ was not desecrated.
She went over to the window with brightening eyes and swinging hands in her apron of the colour of the nocturnal sky. Her face and the upper part of her body were illuminated. She seemed to be in heaven.
She sat down on the sofa, a great low red shadow in the depths of the room near the window. She leaned her broom beside her. Her dust cloth fell to the floor and was lost from sight.
She took a letter from her pocket and read it. In the twilight the letter was the whitest thing in the world. The double sheet trembled between her fingers, which held it carefully, like a dove in the air. She put the trembling letter to her lips, and kissed it. From whom was the letter? Not from her family. A servant girl is not likely to have so much filial devotion as to kiss a letter from her parents. A lover, her betrothed, yes. Many, perhaps, knew her lover's name. I did not, but I witnessed her love as no other person had. And that simple gesture of kissing the paper, that gesture buried in a room, stripped bare by the dark, had something sublime and awesome in it.
She rose and went closer to the window, the white letter folded in her
grey hand.
The night thickened--and it seemed to me as if I no longer knew her age, nor her name, nor the work she happened to be doing down here, nor anything about her--nothing at all. She gazed at the pale immensity, which touched her. Her eyes gleamed. You would say she was crying, but no, her eyes only
Tim Lahaye, Jerry B. Jenkins