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Egypt
conversation, on the absurdity of dancing.
How strange he looked! Under his tan lurked a corpselike pallor. The sapphire-blue eyes were dull, the well-cut lips tightly closed, the thick black hair wildly disheveled, the broad shoulders braced as if against a blow. He looked ... he looked terrified. Emerson, who fears nothing on earth, afraid?
I stared, mesmerized, into his eyes, and saw a spark illumine their depths. I knew that spark. It was inspired by temper—Emerson's famous temper, which has won him the name of Father of Curses from his admiring Egyptian workmen. The color rushed back into his face; the cleft in his prominent chin quivered ominously.
"Speak up, Peabody," he snarled. "Don't sit there gaping. Will you honor me, curse it?"
I believe I am not lacking in courage, but it required all the courage I possessed to accede. I did not suppose Emerson had the vaguest idea how to waltz. It would be quite like him to assume that if he took a notion to do a thing he could do it, without the need of instruction or practice. But the pallor of his manly countenance assured me that the idea terrified him even more than it did me, and affection rose triumphant over concern for my toes and my fragile evening slippers. I placed my hand in the broad, calloused palm that had been offered (he had forgot his gloves, but this was certainly not the time to remind him of that little error).
"Thank you, my dear Emerson."
"Oh," said Emerson. "You will?"
"Yes, my dear."
Emerson took a deep breath, squared his shoulders, and seized me.
The first few moments were exceedingly painful, particularly to my feet and my ribs. I am proud to say that no cry escaped my lips and that no sign of anguish marred the serenity of my smile. After a while Emerson's desperate grip relaxed. "Hmmm," he said. "Not so bad, eh, Peabody?"
I took the first deep breath I had enjoyed since he took hold of me and realized that my martyrdom had been rewarded. For so large a man, Emerson can move with catlike grace when he chooses; encouraged by my apparent enjoyment, he had begun to enjoy himself too, and he had fallen into the rhythm of the music.
"Not bad at all," Emerson repeated, grinning. "They told me I would like it once I got the hang of it."
"They?"
"Ramses and Nefret. They were taking lessons this past summer, you know; they taught me. I made them promise not to tell you. It was to be a surprise for you, my dear. I know how much you like this sort of thing. I must say it is a good deal more enjoyable than I had expected. I suppose it is you who ... Peabody? Are you crying? Curse it, did I tread on your toes?"
"No, my dear." In shocking defiance of custom I clung closer to him, blotting my tears on his shoulder. "I weep because I am so moved. To think that you would make such a sacrifice for me—"
"A small enough return, my darling Peabody, for the sacrifices you have made and the dangers you have faced for me." The words were muffled, for his cheek rested on the top of my head and his lips were pressed to my temple.
A belated sense of decorum returned. I strove to remove myself a short distance. "People are staring, Emerson. You are holding me too close."
"No, I am not," said Emerson.
"No," I said, yielding shamelessly to his embrace. "You aren't."
Emerson, having "got the hang of it," would allow no one else to waltz with me. I declined all other partners, not only because I knew it would please him but because I required the intervals between waltzes to catch my breath. Emerson waltzed as he did everything else, with enormous energy, and between the tightness of his grasp and the vigor of his movements, which had, on more than one occasion, literally lifted me off my feet, it took me some time to recover.
The intervals gave me the opportunity to observe the other guests. The study of human nature in all its manifestations is one no person of intelligence should
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