the still waters.
He restoreth my soul.
He leadeth me in the path of righteousness for His name’s sake.
Yea, though I walk through the shadow of the valley of death,
I will fear no evil . . .
He stopped abruptly, the words catching in his throat, lodging there and refusing to emerge. He could not finish.
“Please,” he whispered into the darkness behind his closed eyes. “Please, don’t let me die here.”
TWO
A NGEL PEREZ WALKS THE HOT , dusty streets of her barrio in East LA, her small hand clutching Johnny’s. She hovers beneath the reassuring mantle of his protective shadow, feeling safe and warm. She does not look up at him, because holding his hand is enough to let her know that he is there, looking after her, staying close. The world around her is peaceful and quiet, a reflection of her sense of security, a testament to what being with Johnny means. People are sitting on their stoops and leaning out their windows. Their haggard, worried faces brighten at Johnny’s appearance. Hands wave and voices call out. Johnny’s presence is welcomed by everyone.
She glances up at the sky. It is cloudless and blue, free of the smoke and ash that have plagued it for days. Months. Years. There have been gang activities all through the region, much of it ending in fighting and looting. But Johnny keeps all that away from this neighborhood, and today there is no evidence of it anywhere. The clear sky and the silent air are proof of a fresh cleansing. She smiles, thinking of it. She wonders if perhaps something good is coming their way. She feels that it might be possible, that a turning of the wheel of fortune is about to occur.
“I am so happy,” she says to Johnny.
He says nothing in response, but words are not necessary when she feels the gentle squeeze of his hand over hers. He understands. He is happy, too.
They walk for a long time, content just to be with each other, like father and daughter, like family. She thinks of them this way, of herself as his daughter, him as her father. There is more to family than shared blood. There is trust and friendship and commitment. She is only eight years old, but she already knows this.
They pass out of the wider streets and into some that are narrower, moving toward the edge of the neighborhood. She is not allowed to go beyond the boundaries that mark their barrio, but he takes her to those boundaries often so that she will know where she is allowed to go in his absence. He travels outside the barrio, but he does not talk of where he goes or what he does. When she asks, he only smiles and says it is necessary. He is her father in all but blood, her best friend and her protector, but there is much about him that is a mystery.
At a corner marked by houses with broken-out windows and crumbling walls, they encounter members of a gang. She knows what they are from their markings, but she does not know their names. Johnny stops at once, confronting them. There are five in all. Their clothes are ragged and dirty, their faces hard and dangerous. They do not have weapons in their hands, but she knows they have them hidden in their clothes. They stare at Johnny for a long time, barely sparing her a glance. Then they turn aside and disappear into the ruins of the buildings.
Johnny does that to people. She has seen it over and over. If they are like these sad creatures, they back away. There is something in his eyes that tells them what will happen if they don’t. There is a presence about him that warns of offering challenge. Johnny never needs to say anything much to those who pose a threat. They instinctively know what they risk and are likely to lose.
The barrio ends at a forest of half walls, steel beams, and rubble piles, all that remains of what was once a warehouse district. The sun beats down on blocks and blocks of silent, empty ruins. Nothing lives here. Nothing will sustain life.
“Walk with me, pococito, ” Johnny whispers to her.
He has never taken