The Good Cop Read Free

another story.
    Point is, things had been a little strained between Tina and me. She answered her cell phone with a testy: “What do you want?”
    “I’m heading to East Orange.”
    “What’s in East Orange?”
    “The widow Kipps, from what I’ve been able to learn,” I said.
    “Who told you to go after the widow Kipps?”
    “No one. But I live about five minutes from her. I can make it there and try to get her talking before every television station in New York has a hairpiece and a microphone camped on her front lawn.”
    Tina didn’t respond for a second or two. I’m sure she was trying to find some reason my plan was a bad one—because that’s sort of the way things had been going between us lately—but there were really no nits to pick.
    “Fine,” she said. “Don’t screw it up.”
    *   *   *
    Knocking on the door of a woman who has just lost her husband—and then having the nerve to ask her all about it—is certainly not one of the cheerier parts of my chosen profession. Done poorly, it can leave you feeling like some exploitative, soul-sucking parasite who feasts on the misery of others. Some reporters flatly loathe the task, even citing it as a reason for leaving the business.
    But, strange as it sounds, it might be one of the things I find most satisfying. It’s not that I enjoy other people’s suffering or that I find the whole business any less discomfiting than anyone else.
    It’s that I see it as an opportunity to do some real good, in my small way. One of the fundamental things I believe as a writer is that words have the power to move people. They can make us feel angry or hateful or sad, sure. But they can also uplift us. They can provide hope. They can even comfort a grieving family.
    And that’s what I went into a situation like this trying to do. I believed I could wade into the agony of the Kipps family, and by writing a sympathetic story about Darius—something that captured the best of the man, his service to others and the sacrifice he made—I could make things a little better. Maybe not right away, when everything was still so fresh. But maybe someday it could be something his widow could look at and read with a smile on her face.
    With this in mind, I made the turn onto Rutledge Avenue, a street lined with mature trees and cracked sidewalks. East Orange could be a rough town, having long ago been overtaken by the same urban malaise that blighted much of Newark. But this was one of the more livable areas. The definition of “livable” was, of course, that the dope fiends, dealers, and delinquents tended to stay at least a few blocks away.
    I slowed as I reached the Kippses’ residence, an aging two-story brick duplex with a flower bed full of dead leaves that had accumulated over the winter. There were no window treatments on the second floor, which gave the house an unoccupied look. Except, of course there were lights on. So obviously someone was home. I parallel parked, noting—with relief—the lack of vans with television logos on them. At least for now, it looked like I would have the place to myself.
    Walking up a short concrete pathway toward the house, then up the brick steps onto a small front porch, I felt the usual excitement. You never really knew what you were going to get when you knocked on one of these doors. I could be welcomed into the home with open arms, tossed into the street on my ass, or anything in between.
    So I knocked, then held my breath.
    The door was answered by a medium-height, slender African American woman with dark smudges under her eyes. She was wearing sweatpants and a T-shirt, with her hair pulled back in a ponytail. Her feet were bare. She looked like she hadn’t slept that night. Or the previous night. Or, for that matter, the previous month.
    “Can I help you?” she asked.
    “Hi, I’m sorry to trouble you. I know this is a difficult time,” I said as apologetically as possible. “I’m a reporter with the Eagle-Examiner.