think you have to hurt the one you love. I think it makes more sense to be nice to the one you love.â
âYouâve got a lot to learn about love,â she said, catching hold of my hand and starting to run.
âI donât think Iâll bother,â I shouted, stumbling behind her.
We had only run a short distance when I let go of her hand and leant against a wall.
Mary ran back to me.
I took the puffer out of my pocket, inhaling the medicine and holding my breath.
âI forgot,â said Mary.
âI know.â
âIâm always forgetting.â
âI know.â
âWeâll walk really slowly,â she said. âIn fact weâll crawl, and if anyone says anything, weâll tell them to take a long run off a short pier.â
âYouâre daft, you are.â
âI know, itâs endearing, isnât it?â
âThatâs one word for it.â
âFeeling better?â
âMuch.â
We walked slowly down West Street and on to the seafront. There were crowds of people milling around the aquarium and the little shops, whose windows were full of pink shiny Brighton rock wrapped in cellophane and plastic windmills for the children to hold in the wind. We were used to all the holidaymakers who arrived in the summer with their umbrellas and their plastic mats and their noisy children. The rock in the sweet shops was for them. Me and Mary had never bought the rock and weâd never visited the aquarium. When I was a kid, my mum said if I ever ate it Iâd end up with no teeth. My sister Rita said that in my case that could only be an improvement. Sheâs very sweet, my sister. Not.
âHow do I look?â asked Mary.
âYou look nice.â
âWhat do you mean I look nice? I need to look more than nice, nice is ordinary, I have to look better than ordinary. I have to look extraordinary.â
âYou look fab,â I said. âReally, you do.â
âHave you got any lippy on you?â
âHavenât you got any, then?â
âI wouldnât be asking you if I had any would I?â
âWell you usually do.â
âFor heavenâs sake, have you got any or not?â
âA bit but youâll have to dig it out with a match.â
âHave you got a match?â
âI donât think so.â
âDo you know how irritating you can be at times?â
âIt has been mentioned. Iâve got a hair grip, that should do it.â
âWhat colour is it?â she said.
âWhat the hair grip?â
âNo, stupid, the lippy.â
âItâs called Corn Silk. Itâs a kind of apricot colour. It will go nicely with your jumper.â
Before we went into the cafe, we went across the road to the Flick ânâ Curl hairdressers, âcos they had this big mirror in the window and Mary could put the lippy on.
I found the hair grip, managed to get the lippy out and smeared some on Maryâs lips. She tucked them into her mouth to spread it about a bit. She stood in front of me holding her face up like a child. I licked the corner of my handkerchief and tidied the edges up for her.
âDo I look all right?â she said again.
âYou look fab!â I said, smiling at her.
Dells cafe was full of people. Its windows were covered with posters and notices advertising gigs and what films were on at the Regent Cinema, and there was a lovely smell, a combination of coffee and that hot, sugary scent of fresh doughnuts. Mary and I went in and the first person we saw was Christine Smith, leaning against the jukebox. Her best friend Angie Brown was over by the counter. They both worked in the sack factory and they had this permanent smell of fish about them. I donât know why working in a sack factory made them smell of fish, but it did.Â
âAll right?â asked Christine when we walked in. Her face was red and damp in the heat. She popped the last piece of
Sable Hunter, Jess Hunter