Nine?â
I blushed. I had gotten so distracted that I missed my cue.
I took a deep breath and nodded my head. Paula began to play again. Remembering a trick my chorus teacher had taught me, I tried to imagine the note I kept messing up coming out clear and bell-like.
The note was only two measures away. I belted out the words âon the stage!â and reached for the note as if my life depended on it.
I was lucky it didnât; I would have been dead on the spot.
Paula put her head on the keyboard and groaned. Melissa snorted. I could feel a blush creeping up my cheeks.
âYouâd better work on it at home for a while,â said Paula softly.
I wanted to crawl under a rock and die.
Just then Edgar came bounding into the room. He had a pencil tucked behind one ear, and he was carrying a clipboard. âWell,â he said, âhow goes it, troops?â
He looked so eager and enthusiastic I couldnât bear for him to find out I was letting him down.
âScram, Edgar,â said Paula in a tired voice. âWeâre not ready for you to hear us yet.â
âIn fact, we probably never will be,â whispered Melissa.
I thought it would be nice if the ceiling fell in on her right then.
Edgarâs smile faded a little. âPaula,â he said, âweâre using this number for the radio spot. It has to be ready by next week!â
I thought Paula was going to explode. âNext week ?â she screeched. âThe show doesnât open for nearly two months! Now you listen to me, Edgar Lonisââ
Paulaâs tirade was interrupted by a scream from the hallway.
I had heard kids scream on the playground all my life. And Iâd heard scream queens in the movies. But that was the first time I had ever heard a real-life scream of terror. I thought my skin was going to crawl right off my body.
Have you ever been watching a movie when they stop the projector but keep the picture on the screen? For a minute everyone just freezes in some weird position. Then the projector starts again, and everyone bounces into action.
It was like that in the little rehearsal room. For a minute after we heard that scream, no one moved at all. Then everyone bolted for the door. Chris and I were the last ones through. Melissa was first, naturally. A small crowd had already gathered in the hall by the time we got there.
âStand back! Give her air!â That was Edgar, trying to push his way through the cluster of actors and production people.
As they moved aside, I could see who had been screaming. It was Lydia Crane, the beautiful woman who had the starring role in the show.
Lydia was stretched out on the floor. Alan Bland, Paulaâs writing partner, was kneeling behind Lydia. He had placed her head on his knees. Ken Abbott, the handsome, dark-haired leading man, was bending over her, patting her cheek as though he was trying to wake her up.
Lydiaâs eyes were wide open, but I had the feeling she wasnât seeing any of us. It was almost as if she was looking into another world.
Edgar reached down and put his hand on her arm. First she flinched away from him; then she turned and looked into his eyes.
âThe Woman in White,â she whispered. Her voice was husky with fear. The sound of it made the little hairs on the back of my neck stand up. âEdgar, it was the Woman in White!â
She buried her face in her hands and began to sob.
CHAPTER FOUR
The View from the Balcony
Do you know what frisson means?
If you do, youâre ahead of me. I only learned it because my fifth-grade teacher used it all the time. He was a true horror-movie freak, and he decided if a film was any good by whether or not it provoked a frisson in him. Anyway, itâs a word the French came up with to describe that tingle that skitters down your spine and across your skin when something truly horrifying happens.
Frisson is the word I always think of when I remember the look in