with a woman he doesnât because the waiterâs back goes up, since he thinks heâs only trying to impress the woman. Even if the man is justified in his complaints the waiter thinks he should show solidarity with the male sex and not mention them, especially in front of a woman. You canât win. Theyâve got the class war in one eye and the sex war in the other. If I had my way thereâd be nothing but counters where you had to go up and get your own.â
âHow perfectly horrible,â she said. âIâd never eat out.â
âYou could bring a maid,â he suggested, âand sheâd queue for you.â
Had he really done the paintings she so much admired? It was like having lunch with your chauffeur simply because he was a good driver. And yet, not quite. This might turn out more interesting. âTell me about your life,â she said when half a melon, big enough to float away on across the blue lagoon, had been set before them. âHow did you become a painter?â
âMy lifeâs simple,â he replied. âAlways will be, I hope. After prep school, Eton and Oxford, I got a commission in the Brigade of Guards. Fought in France, back through Dunkirk, went to Egypt and got wounded â though not in the groin. I rejoined my battalion and went to Italy, wounded again, invalided out, nothing to do except draw my pension and paint pictures.â
She laughed. âThatâs not what you told the newspapers.â
âYouâve got to make up a good story,â he said, pushing his melon aside because it tasted like marrow. âUncle Toby would disown me if I didnât. I love you. But you must forgive me â not for saying that, because I canât imagine anyone not coming out with it â but for being so blunt and common. I canât make pretty speeches. I paint, not talk. Iâve never been good at weaving snares of words around women. If Iâm so tongue-tied that I can only say âI love youâ, youâll have to forgive me.â
It seemed impossible to get through to him. There must be a gap in his armour somewhere. He knew she was thinking this, and saw that if he kept up his rigmarole long enough she might come to bed with him. âDo you paint all the time?â
âEvery minute God sends.â
âDonât you get bored?â
âI love you, Daphne.â
âDonât you get bored with that?â He was too impertinent to be her chauffeur.
âLetâs go to Paris for a couple of days.â
âCertainly not.â
âVenice, then.â
It was ludicrous. She laughed. He rubbed his hands under the table. Wiping them on the cloth, she thought, pointing to the napkin. He drew it across his moustache.
âYou havenât got your passport,â she said.
He took it out of his pocket. âI never leave the house unless itâs on me â even if only to the pub for a packet of fags â in case I decide not to go back. I always do, though. You only vanish when all the ends will be left hanging.â
âYouâre a very destructive person.â
âNot really. To myself maybe.â
âYou make my blood run cold,â she mocked.
âHereâs the horsemeat,â he said, glad to end such a note.
For a thin woman she showed great appetite, and if he kept up with her it was only to get his moneyâs worth, and because heâd left home with no more than half a grapefruit and a thimble of black coffee under his belt.
He filled her empty glass close to the brim, hoping sheâd bend her lips to the table to sip it, so that he could look down her dress. But heâd underestimated her dexterity, for she lifted it easily without spilling a drop.
He apologised: âIâm no good at serving people.â
âYouâd never make a waiter,â she smiled. âWhen did you last go to the mainland?â
âFortnight ago. Got so
Gene Wentz, B. Abell Jurus