Michael and Alisa away. It was just Augustus and me now, watching Isaac and Monica, who proceeded apace as if they were not leaning against a place of worship. His hand reached for her boob over her shirt and pawed at it, his palm still while his fingers moved around. I wondered if that felt good. Didn’t seem like it would, but I decided to forgive Isaac on the grounds that he was going blind. The senses must feast while there is yet hunger and whatever.
“Imagine taking that last drive to the hospital,” I said quietly. “The last time you’ll ever drive a car.”
Without looking over at me, Augustus said, “You’re killing my vibe here, Hazel Grace. I’m trying to observe young love in its many-splendored awkwardness.”
“I think he’s hurting her boob,” I said.
“Yes, it’s difficult to ascertain whether he is trying to arouse her or perform a breast exam.” Then Augustus Waters reached into a pocket and pulled out, of all things, a pack of cigarettes. He flipped it open and put a cigarette between his lips.
“Are you
serious
?” I asked. “You think that’s cool? Oh, my God, you just ruined
the whole thing
.”
“Which whole thing?” he asked, turning to me. The cigarette dangled unlit from the unsmiling corner of his mouth.
“The whole thing where a boy who is not unattractive or unintelligent or seemingly in any way unacceptable stares at me and points out incorrect uses of literality and compares me to actresses and asks me to watch a movie at his house. But of course there is always a
hamartia
and yours is that oh, my God, even though you HAD FREAKING CANCER you give money to a company in exchange for the chance to acquire YET MORE CANCER. Oh, my God. Let me just assure you that not being able to breathe? SUCKS. Totally disappointing.
Totally
.”
“A
hamartia
?” he asked, the cigarette still in his mouth. It tightened his jaw. He had a hell of a jawline, unfortunately.
“A fatal flaw,” I explained, turning away from him. I stepped toward the curb, leaving Augustus Waters behind me, and then I heard a car start down the street. It was Mom. She’d been waiting for me to, like, make friends or whatever.
I felt this weird mix of disappointment and anger welling up inside of me. I don’t even know what the feeling was, really, just that there was a
lot
of it, and I wanted to smack Augustus Waters and also replace my lungs with lungs that didn’t suck at being lungs. I was standing with my Chuck Taylors on the very edge of the curb, the oxygen tank ball-and-chaining in the cart by my side, and right as my mom pulled up, I felt a hand grab mine.
I yanked my hand free but turned back to him.
“They don’t kill you unless you light them,” he said as Mom arrived at the curb. “And I’ve never lit one. It’s a metaphor, see: You put the killing thing right between your teeth, but you don’t give it the power to do its killing.”
“It’s a metaphor,” I said, dubious. Mom was just idling.
“It’s a metaphor,” he said.
“You choose your behaviors based on their metaphorical resonances . . .” I said.
“Oh, yes.” He smiled. The big, goofy, real smile. “I’m a big believer in metaphor, Hazel Grace.”
I turned to the car. Tapped the window. It rolled down. “I’m going to a movie with Augustus Waters,” I said. “Please record the next several episodes of the
ANTM
marathon for me.”
CHAPTER TWO
A ugustus Waters drove horrifically. Whether stopping or starting, everything happened with a tremendous JOLT. I flew against the seat belt of his Toyota SUV each time he braked, and my neck snapped backward each time he hit the gas. I might have been nervous—what with sitting in the car of a strange boy on the way to his house, keenly aware that my crap lungs complicate efforts to fend off unwanted advances—but his driving was so astonishingly poor that I could think of nothing else.
We’d gone perhaps a mile in jagged silence before Augustus said, “I